List of Belleville’s concert repertory, 1820–32.
| Composer . | Title . | Date and Location of Belleville’s First Performance . | Number of Performances . |
|---|---|---|---|
| Belleville, Anna Caroline | Variations (unspecified; opp. 1–3)a | 1820, Vienna | 15 |
| Fantasy (improvisation) | 1828, Munich | 3 | |
| Chopin, Frédéric | Variations on “Là ci darem la mano,” op. 2 | 1830, Vienna | 1 |
| Czerny, Carl | Variations (unspecified) | 1825, Paris | 1 |
| Eberl, Anton | Variations (unspecified) | 1816, Augsburg | 1 |
| Herz, Henri | Variations de bravoure sur la romance de Joseph, op. 20 | 1829, Vienna | 5 |
| Variations concertantes sur la tyrolienne favorite de La fiancée, op. 56 | 1831, London | 1 | |
| Grandes variations sur une marche favorite de Guillaume Tell, op. 50 | 1832, St. Petersburg | 1 | |
| Variations (unspecified) | 6b | ||
| Herz and Charles Philippe Lafont | Duo Concertante for Piano and Violin (unspecified) | 1832, Liverpool | 1 |
| Hummel, Johann Nepomuk | Rondo brilliant, op. 56 | 1818, Vienna | 2 |
| Septet No. 1 in D minor, op. 74 | 1822, Paris | 2 | |
| Piano Concerto No. 2 in A minor, op. 85 | 1830, Warsaw | 5 | |
| Piano Concerto No. 5 in A-flat major, op. 113 | 1830, Berlin | 2 | |
| Kalkbrenner, Friederich | Piano Concerto No. 2 in E minor, op. 85 | 1829, Vienna | 5c |
| Moscheles, Ignaz | Variations sur un thème de Händel, op. 29 | 1819, Vienna | 1 |
| Souvenirs d’Irlande, op. 69 | 1832, Liverpool | 1 | |
| Pixis, Johann Peter | Grandes variations sur un thème favori de l’opéra Le barbier de Séville de G. Rossini, op. 36 | 1829, Vienna | 2 |
| Piano Concerto in C major, op. 100 | 1830, Vienna | 3 | |
| Variations (unspecified) | 3d | ||
| Concerto (unspecified) | 3e | ||
| Ries, Ferdinand | Piano Concerto No. 2 in E-flat major, op. 42 | 1820, Prague | 1 |
| Piano Concerto No. 3 in C-sharp minor, op. 55 | 1820, Vienna | 1f | |
| Concerto (unspecified) | 2 | ||
| Wilms, Johann Wilhelm | Piano Quartet in C major, op. 22 | 1816, Augsburg | 1 |
| Composer . | Title . | Date and Location of Belleville’s First Performance . | Number of Performances . |
|---|---|---|---|
| Belleville, Anna Caroline | Variations (unspecified; opp. 1–3)a | 1820, Vienna | 15 |
| Fantasy (improvisation) | 1828, Munich | 3 | |
| Chopin, Frédéric | Variations on “Là ci darem la mano,” op. 2 | 1830, Vienna | 1 |
| Czerny, Carl | Variations (unspecified) | 1825, Paris | 1 |
| Eberl, Anton | Variations (unspecified) | 1816, Augsburg | 1 |
| Herz, Henri | Variations de bravoure sur la romance de Joseph, op. 20 | 1829, Vienna | 5 |
| Variations concertantes sur la tyrolienne favorite de La fiancée, op. 56 | 1831, London | 1 | |
| Grandes variations sur une marche favorite de Guillaume Tell, op. 50 | 1832, St. Petersburg | 1 | |
| Variations (unspecified) | 6b | ||
| Herz and Charles Philippe Lafont | Duo Concertante for Piano and Violin (unspecified) | 1832, Liverpool | 1 |
| Hummel, Johann Nepomuk | Rondo brilliant, op. 56 | 1818, Vienna | 2 |
| Septet No. 1 in D minor, op. 74 | 1822, Paris | 2 | |
| Piano Concerto No. 2 in A minor, op. 85 | 1830, Warsaw | 5 | |
| Piano Concerto No. 5 in A-flat major, op. 113 | 1830, Berlin | 2 | |
| Kalkbrenner, Friederich | Piano Concerto No. 2 in E minor, op. 85 | 1829, Vienna | 5c |
| Moscheles, Ignaz | Variations sur un thème de Händel, op. 29 | 1819, Vienna | 1 |
| Souvenirs d’Irlande, op. 69 | 1832, Liverpool | 1 | |
| Pixis, Johann Peter | Grandes variations sur un thème favori de l’opéra Le barbier de Séville de G. Rossini, op. 36 | 1829, Vienna | 2 |
| Piano Concerto in C major, op. 100 | 1830, Vienna | 3 | |
| Variations (unspecified) | 3d | ||
| Concerto (unspecified) | 3e | ||
| Ries, Ferdinand | Piano Concerto No. 2 in E-flat major, op. 42 | 1820, Prague | 1 |
| Piano Concerto No. 3 in C-sharp minor, op. 55 | 1820, Vienna | 1f | |
| Concerto (unspecified) | 2 | ||
| Wilms, Johann Wilhelm | Piano Quartet in C major, op. 22 | 1816, Augsburg | 1 |
a Reviews rarely provide details of the specific variation sets performed. By 1820 Belleville had composed three sets, opp. 1–3.
b There are six counts of Belleville performing unspecified sets of variations by Herz in concerts between 1830 and 1832. These were likely further performances of the works named here.
c This number includes two performances of an unspecified concerto by Kalkbrenner in 1830 and 1831.
d Belleville gave three performances of unspecified variations by Pixis in the period spanning 1828–31.
e Belleville gave three performances of an unspecified concerto by Pixis in 1830 and 1831.
f Belleville gave two performances of an unspecified concerto by Ries in 1821.