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Issues

Volume 41, Issue 2
May 2019
Issue Cover
ISSN 0272-3433
EISSN 1533-8576
In this Issue

Special Issue: Queering Public History: The State of the Field

EDITOR’S CORNER

Commemorating Queer History
James F. Brooks
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Through the Queer Looking-Glass: The Future of LGBTQ Public History
Melinda Marie Jetté
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Ways of Interpreting Queer Pasts
Susan Ferentinos
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The Queerest House in Cambridge
Hilary Iris Lowe
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Queer Public History in Small-Town Wisconsin: The Pendarvis Historic Site and Interpreting the Queer Past
Christopher Hommerding
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Woman, Southern, Bisexual: Interpreting Ma Rainey and Carson McCullers in Columbus, Georgia
Rebecca Bush
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“I Speak for my Difference”: Las Yeguas del Apocalipsis, Memory, and Performance in Chile’s Transition to Democracy
Juliana Sandoval Álvarez
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Gay Life and Liberation, a Photographic Record of 1970s Belfast: Exhibiting Private Photographs and Oral Histories
Rachel Wallace
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Public Disclosures of Private Realities: HIV/AIDS and the Domestic Archive
Stephen Vider
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Invisible Pathways: Public History By Queer Black Women In Newark
Kristyn Scorsone
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Investigating Kentucky’s LBGTQ Heritage: Subaltern Stories from the Bluegrass State
Catherine Fosl; Daniel Vivian
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Over the Rainbow: Public History as Allyship in Documenting Kansas City’s LGBTQ Past
Christopher D. Cantwell; Stuart Hinds; Kathryn B. Carpenter
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Just Like You Want Me to Be?: Gay and Lesbian Oral History Projects and the Frameworks of Public History
Jodie Boyd
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Taking Intersectionality Seriously: Learning from LGBTQ Heritage Initiatives for Historic Preservation
Donna Graves; Gail Dubrow
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Review Essay

Grey Literature and Untold Stories: United States National Park Service Studies on LGBTQ History, Reconstruction, and the Civil War to Civil Rights Commemoration
Joan M. Zenzen
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All Issues
“Ripped Spike, Tie and Rail from Its Moorings”: Blues Tourism, Racial Reconciliation, and the “Yellow Dog” of the Mississippi Blues Trail
Migration Parks and Monuments to Multiculturalism: Finding the Challenge to Australian Heritage Discourses through Community Public History Practice
The Twofold Absence
Not as It Is Written: Blending Oral Histories and Historic Photographs in a Civil Rights Exhibition
Review: The Theory and Craft of Digital Preservation, by Trevor Owens
  • Online ISSN 1533-8576
  • Print ISSN 0272-3433
  • Copyright © 2020
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