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Author: Taruskin
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Journal Articles
Journal of the American Musicological Society (2020) 73 (2): 327–395.
Published: 01 June 2020
...Christopher Chowrimootoo and Kate Guthrie (Convenors); John Howland; Andrew Flory; Chris McDonald; Heather Wiebe; Richard Taruskin © 2020 by the American Musicological Society. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through...
Journal Articles
Journal of Musicology (2016) 33 (3): 401–431.
Published: 01 July 2016
...Richard Taruskin The purpose of the discussion, which served as keynote at a conference convened under the title “Music and Power,” is to complicate what is often a simplified and overly dichotomized view of that relationship. Two figures, Dmitry Kabalevsky and Tikhon Khrennikov, are singled out...
Journal Articles
Journal of Musicology (2014) 31 (2): 272–293.
Published: 01 April 2014
...Richard Taruskin © 2014 by The Regents of the University of California 2014 Agents and Causes and Ends, Oh My RICHARD TARUSKIN One is taught to refrain from irony one reads in Sir Max Beerbohm s novel Zuleika Dobson, because mankind does tend to take it literally1 It s a lesson Sir Max...
Journal Articles
19th-Century Music (2011) 35 (2): 132–143.
Published: 01 November 2011
...Richard Taruskin We have discussed Russian music in terms of its Russianness long enough. A short history and analysis of that discourse, its double standards and its contradictions, is given, focusing on the seminal writings of Vladimir Stasov, and an account of its migration westward, at first...
Journal Articles
Journal of Musicology (2011) 28 (2): 143–165.
Published: 01 April 2011
...Richard Taruskin When Musorgsky revised his opera Boris Godunov in 1871–72 as a condition for its eventual performance in 1874, he made many changes that went far beyond what the Imperial Theaters demanded of him. Among these changes was the composition of a crowd scene outside Moscow, in which...
Journal Articles
Journal of Musicology (2009) 26 (2): 274–284.
Published: 01 April 2009
...Richard Taruskin © 2009 by The Regents of the University of California. All rights reserved. 2009 Afterword: Nicht blutbefleckt? RICHARD TARUSKIN Good heavens, I ve never thought of it, Mil- ton Babbitt exclaimed when a Canadian journalist asked him about the possible in uence of the Cold...
Journal Articles
19th-Century Music (2005) 29 (2): 185–295.
Published: 01 November 2005
...Richard Taruskin Copyright © 2005 by The Regents of the University of California. All rights reserved. REVIEW Review Speed Bumps RICHARD TARUSKIN The Cambridge History of Nineteenth-Century Music. Edited by Jim Samson. Cambridge: Cambridge University Press, 2001. xv, 772 pp. The Cambridge...
Journal Articles
Journal of the American Musicological Society (1994) 47 (1): 195.
Published: 01 April 1994
...Richard Taruskin Copyright 1994 The American Musicological Society, Inc. COMMUNICATIONS 195 As to taking out the "amulet" words and finding one of my sentences to be "false on its face" I have but this to say. My sentence ("Schoenberg was not engaged in a superficial recycling of classical...
Journal Articles
Journal of the American Musicological Society (1993) 46 (1): 114–138.
Published: 01 April 1993
...Richard Taruskin Towards a New Poetics of Musical Influence Korsyn Kevin Remaking the Past: Musical Modernism and the Influence of the Tonal Tradition Straus Joseph N. Copyright 1993 The American Musicological Society, Inc. SREVIEWS- Kevin Korsyn, "Towards a New Poetics...
Journal Articles
19th-Century Music (1993) 16 (3): 286–302.
Published: 01 April 1993
...Richard Taruskin Neoclassicism in Music: From the Genesis of the Concept through the Schoenberg/Stravinsky Polemic Messing Scott The Idea of Gebrauchsmusik: A Study of Musical Aesthetics in the Weimar Republic (1919-1933) with Particular Reference to the Works of Paul Hindemith...
Journal Articles
Journal of Musicology (1992) 10 (1): 113–130.
Published: 01 January 1992
...Joseph Kerman; Laurence Dreyfus; Joshua Kosman; John Rockwell; Ellen Rosand; Richard Taruskin; Nicholas McGegan Copyright 1992 Regents of the University of California Symposium The Early Music Debate: Ancients, Moderns, Postmoderns This was the title of a symposium chaired by Joseph Kerman...
Journal Articles
Journal of the American Musicological Society (1990) 43 (1): 162–174.
Published: 01 April 1990
...Richard Taruskin A Collection of Russian Folk Songs Lvov Nikolai Prach Ivan Brown Malcolm Hamrick Copyright 1990 The American Musicological Society, Inc. 162 JOURNAL OF THE AMERICAN MUSICOLOGICAL SOCIETY phase, the rapid maturation and precipitous decline of the 1-7 . .. 4-3...
Journal Articles
Journal of the American Musicological Society (1989) 42 (2): 443–452.
Published: 01 July 1989
...Richard Taruskin Copyright 1989 The American Musicological Society, Inc. [Footnotes] 1 Milton Babbitt, "Colloquy and Review," Perspectives of New Music, vol. 2, no. 1 (Fall-Winter 1963), P. 131. 10.2307/832262 131 2 Charles Burney, A General History of Music, ed. Frank Mercer...
Journal Articles
19th-Century Music (1989) 12 (3): 241–256.
Published: 01 April 1989
...Richard Taruskin Symphony No. 9 in D Minor, op. 125 Beethoven Kenny Yvonne Walker Sarah Power Patrick Salomaa Petteri The Schütz Choir of London The London Classical Players Norrington Roger Copyright 1989 The Regents of the University of California Performers...
Journal Articles
Journal of the American Musicological Society (1987) 40 (3): 579–580.
Published: 01 October 1987
...Richard Taruskin Copyright 1987 The American Musicological Society, Inc. COMMUNICATIONS 579 "benefice" or "appointment" held by Martini at Cambrai. A known fact, not mentioned by Burkholder, is that Martini served at the cathedral of Constance in 147 I1, whence he was called to Ferrara because...
Journal Articles
Journal of the American Musicological Society (1987) 40 (1): 148–153.
Published: 01 April 1987
...Richard Taruskin Copyright 1987 The American Musicological Society, Inc. [Footnotes] 1 Studies in Medieval and Renaissance Music (New York: Norton, 1950), p. 12 12 Studies in Medieval and Renaissance Music 1950 2 Howard M. Brown, "Emulation, Competition, and Homage: Imitation...
Journal Articles
19th-Century Music (1987) 10 (3): 265–286.
Published: 01 April 1987
...Richard Taruskin Copyright 1987 The Regents of the University of California [Footnotes] 1 The Music of Igor Stravinsky (New Haven, 1983). 2 "Review-Survey: Some Recent Stravinsky Literature," Music Analysis 3 (1984), 205. 10.2307/854317 205 3 Berger, "Problems of Pitch...
Journal Articles
Journal of the American Musicological Society (1986) 39 (2): 255–293.
Published: 01 July 1986
...Richard Taruskin Copyright 1986 The American Musicological Society, Inc. [Footnotes] 1 Oliver Strunk, "Origins of the 'L'Homme armé' Mass," Essays on Music in the Western World (New York, 1974), p. 69 Strunk Origins of the 'L'Homme armé' Mass 69 Essays on Music in the Western...
Journal Articles
19th-Century Music (1985) 8 (3): 245–272.
Published: 01 April 1985
...Richard Taruskin Musorgskyvs. Musorgsky: The Versions of Boris Godunov (II) RICHARDTARUSKIN Musorgsky finished the full score of the first version of Boris Godunov on 15 December 1869, and by early spring of the next year was busy with all the details involved with its submission...
Journal Articles
Journal of the American Musicological Society (1985) 38 (1): 72–142.
Published: 01 April 1985
...Richard Taruskin Copyright 1985 The American Musicological Society, Inc. [Footnotes] 1 Igor Stravinsky in Igor Stravinsky and Robert Craft, Dialogues and a Diary (Garden City, N.Y., 1963), p. 14. Stravinsky 14 Dialogues and a Diary 1963 2 Olivier Messiaen, The Technique...