...Christopher Chowrimootoo and Kate Guthrie (Convenors); John Howland; Andrew Flory; Chris McDonald; Heather Wiebe; Richard Taruskin © 2020 by the American Musicological Society. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through...

...Richard Taruskin The purpose of the discussion, which served as keynote at a conference convened under the title “Music and Power,” is to complicate what is often a simplified and overly dichotomized view of that relationship. Two figures, Dmitry Kabalevsky and Tikhon Khrennikov, are singled out...

...Richard Taruskin © 2014 by The Regents of the University of California 2014 Agents and Causes and Ends, Oh My RICHARD TARUSKIN One is taught to refrain from irony one reads in Sir Max Beerbohm s novel Zuleika Dobson, because mankind does tend to take it literally1 It s a lesson Sir Max...

...Richard Taruskin We have discussed Russian music in terms of its Russianness long enough. A short history and analysis of that discourse, its double standards and its contradictions, is given, focusing on the seminal writings of Vladimir Stasov, and an account of its migration westward, at first...

...Richard Taruskin When Musorgsky revised his opera Boris Godunov in 1871–72 as a condition for its eventual performance in 1874, he made many changes that went far beyond what the Imperial Theaters demanded of him. Among these changes was the composition of a crowd scene outside Moscow, in which...

...Richard Taruskin Afterword: Nicht blutbefleckt? RICHARD TARUSKIN Good heavens, I ve never thought of it, Mil- ton Babbitt exclaimed when a Canadian journalist asked him about the possible in uence of the Cold War on his thinking about hence his writing of his music. It certainly didn t have any...

...Richard Taruskin Copyright © 2005 by The Regents of the University of California. All rights reserved. REVIEW Review Speed Bumps RICHARD TARUSKIN The Cambridge History of Nineteenth-Century Music. Edited by Jim Samson. Cambridge: Cambridge University Press, 2001. xv, 772 pp. The Cambridge...

...Richard Taruskin Copyright 1994 The American Musicological Society, Inc. COMMUNICATIONS 195 As to taking out the "amulet" words and finding one of my sentences to be "false on its face" I have but this to say. My sentence ("Schoenberg was not engaged in a superficial recycling of classical...

...Richard Taruskin Towards a New Poetics of Musical Influence Korsyn Kevin Remaking the Past: Musical Modernism and the Influence of the Tonal Tradition Straus Joseph N. Copyright 1993 The American Musicological Society, Inc. SREVIEWS- Kevin Korsyn, "Towards a New Poetics...

...Richard Taruskin Neoclassicism in Music: From the Genesis of the Concept through the Schoenberg/Stravinsky Polemic Messing Scott The Idea of Gebrauchsmusik: A Study of Musical Aesthetics in the Weimar Republic (1919-1933) with Particular Reference to the Works of Paul Hindemith...

...Joseph Kerman; Laurence Dreyfus; Joshua Kosman; John Rockwell; Ellen Rosand; Richard Taruskin; Nicholas McGegan Copyright 1992 Regents of the University of California Symposium The Early Music Debate: Ancients, Moderns, Postmoderns This was the title of a symposium chaired by Joseph Kerman...

...Richard Taruskin A Collection of Russian Folk Songs Lvov Nikolai Prach Ivan Brown Malcolm Hamrick Copyright 1990 The American Musicological Society, Inc. 162 JOURNAL OF THE AMERICAN MUSICOLOGICAL SOCIETY phase, the rapid maturation and precipitous decline of the 1-7 . .. 4-3...

...Richard Taruskin Copyright 1989 The American Musicological Society, Inc. [Footnotes] 1 Milton Babbitt, "Colloquy and Review," Perspectives of New Music, vol. 2, no. 1 (Fall-Winter 1963), P. 131. 10.2307/832262 131 2 Charles Burney, A General History of Music, ed. Frank Mercer...

...Richard Taruskin Symphony No. 9 in D Minor, op. 125 Beethoven Kenny Yvonne Walker Sarah Power Patrick Salomaa Petteri The Schütz Choir of London The London Classical Players Norrington Roger Copyright 1989 The Regents of the University of California Performers...

...Richard Taruskin Copyright 1987 The American Musicological Society, Inc. COMMUNICATIONS 579 "benefice" or "appointment" held by Martini at Cambrai. A known fact, not mentioned by Burkholder, is that Martini served at the cathedral of Constance in 147 I1, whence he was called to Ferrara because...

...Richard Taruskin Copyright 1987 The Regents of the University of California [Footnotes] 1 The Music of Igor Stravinsky (New Haven, 1983). 2 "Review-Survey: Some Recent Stravinsky Literature," Music Analysis 3 (1984), 205. 10.2307/854317 205 3 Berger, "Problems of Pitch...

...Richard Taruskin [Footnotes] 1 Studies in Medieval and Renaissance Music (New York: Norton, 1950), p. 12 12 Studies in Medieval and Renaissance Music 1950 2 Howard M. Brown, "Emulation, Competition, and Homage: Imitation and Theories of Imitation in the Renaissance," this JOURNAL 35...

...Richard Taruskin Copyright 1986 The American Musicological Society, Inc. [Footnotes] 1 Oliver Strunk, "Origins of the 'L'Homme armé' Mass," Essays on Music in the Western World (New York, 1974), p. 69 Strunk Origins of the 'L'Homme armé' Mass 69 Essays on Music in the Western...

...Richard Taruskin Copyright 1985 The American Musicological Society, Inc. [Footnotes] 1 Igor Stravinsky in Igor Stravinsky and Robert Craft, Dialogues and a Diary (Garden City, N.Y., 1963), p. 14. Stravinsky 14 Dialogues and a Diary 1963 2 Olivier Messiaen, The Technique...

...Richard Taruskin Copyright 1985 The Regents of the University of California Notes 1 Ludmila Shestakova, "Moi vechera," quoted in Orlova, Trudy i dni, p. 213. Shestakova Moi vechera 213 Trudy i dni 2 Alexandra Purgold, 14 February 1871. Orlova, p. 214. Purgold 214...