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Resonance (2020) 1 (3): 267–278.
Published: 16 October 2020
...Müge Turan Ventriloquism, Edison’s playback, and the sound film base their appeal to spectators primarily on the tension between the two-dimensional image and three-dimensional sound, between space and surface, as well as between body and voice. My focus is on the disembodied voice in cinema...