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Journal Articles
Journal Articles
Journal Articles
Journal Articles
Journal Articles
Journal Articles
Journal Articles
Journal Articles
Images
Published: 01 March 2022
Figure 1. Transcription of Roose’s first verse with koor response. More
Images
in The World Ear Project (1970–87): Soundscapes, Politics, and the Genesis of Acoustic Ecology
> Resonance
Published: 01 March 2022
Figure 1. World Ear Project series announcement (August 1970). Courtesy of Pacifica Radio Archives. More
Images
in The World Ear Project (1970–87): Soundscapes, Politics, and the Genesis of Acoustic Ecology
> Resonance
Published: 01 March 2022
Figure 2. Real Dragon KPFA broadcast script (January 27, 1973). Courtesy of the Freedom Archives. More
Images
in The World Ear Project (1970–87): Soundscapes, Politics, and the Genesis of Acoustic Ecology
> Resonance
Published: 01 March 2022
Figure 3. Real Dragon KPFA broadcast script (December 30, 1972). Courtesy of the Freedom Archives. More
Images
in On the Limits of Representation: Ryōan-ji, Ryoanji , Where R = Ryoanji : …in memory of Daniel Charles…
> Resonance
Published: 01 March 2022
Figure 1. Ryōan-ji. Photo by Allen S. Weiss. More
Images
in On the Limits of Representation: Ryōan-ji, Ryoanji , Where R = Ryoanji : …in memory of Daniel Charles…
> Resonance
Published: 01 March 2022
Figure 2. Allen S. Weiss, Ryōan-ji, Homage to John Cage (2020). Fifteen pebbles from the author’s collection were used as templates. More
Images
in On the Limits of Representation: Ryōan-ji, Ryoanji , Where R = Ryoanji : …in memory of Daniel Charles…
> Resonance
Published: 01 March 2022
Figure 3. Percussion score for John Cage’s Ryoanji . Copyright © 1984 by Henmar Press Inc. C.F. Peters Corporation, Sole Selling Agent. Used by permission. All rights reserved. More
Images
in On the Limits of Representation: Ryōan-ji, Ryoanji , Where R = Ryoanji : …in memory of Daniel Charles…
> Resonance
Published: 01 March 2022
Figure 4. Flute score for John Cage’s Ryoanji . Copyright © 1984 by Henmar Press Inc. C.F. Peters Corporation, Sole Selling Agent. Used by permission. All rights reserved. More
Images
in On the Limits of Representation: Ryōan-ji, Ryoanji , Where R = Ryoanji : …in memory of Daniel Charles…
> Resonance
Published: 01 March 2022
Figure 5. Allen S. Weiss, template for Ryōan-ji score (composite photo and graphics by Tom Rasky). Note that all 15 stones are visible from this central perspective only because this is a composite photo. More
Images
in On the Limits of Representation: Ryōan-ji, Ryoanji , Where R = Ryoanji : …in memory of Daniel Charles…
> Resonance
Published: 01 March 2022
Figure 6. Allen S. Weiss, Ryōan-ji , Op. 1 (2012), for two glissando-producing instruments (graphics by Tom Rasky). Dotted lines indicate simultaneously sounded glissandi. More
Images
in On the Limits of Representation: Ryōan-ji, Ryoanji , Where R = Ryoanji : …in memory of Daniel Charles…
> Resonance
Published: 01 March 2022
Figure 7. Ryōan-ji, flat rock. Photo by Allen S. Weiss. More
Images
in On the Limits of Representation: Ryōan-ji, Ryoanji , Where R = Ryoanji : …in memory of Daniel Charles…
> Resonance
Published: 01 March 2022
Figure 8. Obai-in, waterfall rock and dry stream. Photo by Allen S. Weiss. More
