Skip Nav Destination
Close Modal
Update search
Filter
- Title
- Author
- Author Affiliations
- Full Text
- Abstract
- Keyword
- DOI
- ISBN
- EISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Author
- Author Affiliations
- Full Text
- Abstract
- Keyword
- DOI
- ISBN
- EISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Author
- Author Affiliations
- Full Text
- Abstract
- Keyword
- DOI
- ISBN
- EISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Author
- Author Affiliations
- Full Text
- Abstract
- Keyword
- DOI
- ISBN
- EISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Author
- Author Affiliations
- Full Text
- Abstract
- Keyword
- DOI
- ISBN
- EISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Author
- Author Affiliations
- Full Text
- Abstract
- Keyword
- DOI
- ISBN
- EISBN
- ISSN
- EISSN
- Issue
- Volume
- References
NARROW
Format
Journal
Article Type
Date
Availability
1-20 of 196
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
Sort by
Journal Articles
Journal Articles
Journal Articles
Journal Articles
Journal Articles
Journal Articles
Journal Articles
Journal Articles
Images
Published: 01 March 2022
Figure 1. Transcription of Roose’s first verse with koor response. More
Images
in The World Ear Project (1970–87): Soundscapes, Politics, and the Genesis of Acoustic Ecology
> Resonance
Published: 01 March 2022
Figure 1. World Ear Project series announcement (August 1970). Courtesy of Pacifica Radio Archives. More
Images
in The World Ear Project (1970–87): Soundscapes, Politics, and the Genesis of Acoustic Ecology
> Resonance
Published: 01 March 2022
Figure 2. Real Dragon KPFA broadcast script (January 27, 1973). Courtesy of the Freedom Archives. More
Images
in The World Ear Project (1970–87): Soundscapes, Politics, and the Genesis of Acoustic Ecology
> Resonance
Published: 01 March 2022
Figure 3. Real Dragon KPFA broadcast script (December 30, 1972). Courtesy of the Freedom Archives. More
Images
in On the Limits of Representation: Ryōan-ji, Ryoanji , Where R = Ryoanji : …in memory of Daniel Charles…
> Resonance
Published: 01 March 2022
Figure 1. Ryōan-ji. Photo by Allen S. Weiss. More
Images
in On the Limits of Representation: Ryōan-ji, Ryoanji , Where R = Ryoanji : …in memory of Daniel Charles…
> Resonance
Published: 01 March 2022
Figure 2. Allen S. Weiss, Ryōan-ji, Homage to John Cage (2020). Fifteen pebbles from the author’s collection were used as templates. More
Images
in On the Limits of Representation: Ryōan-ji, Ryoanji , Where R = Ryoanji : …in memory of Daniel Charles…
> Resonance
Published: 01 March 2022
Figure 3. Percussion score for John Cage’s Ryoanji . Copyright © 1984 by Henmar Press Inc. C.F. Peters Corporation, Sole Selling Agent. Used by permission. All rights reserved. More
Images
in On the Limits of Representation: Ryōan-ji, Ryoanji , Where R = Ryoanji : …in memory of Daniel Charles…
> Resonance
Published: 01 March 2022
Figure 4. Flute score for John Cage’s Ryoanji . Copyright © 1984 by Henmar Press Inc. C.F. Peters Corporation, Sole Selling Agent. Used by permission. All rights reserved. More
Images
in On the Limits of Representation: Ryōan-ji, Ryoanji , Where R = Ryoanji : …in memory of Daniel Charles…
> Resonance
Published: 01 March 2022
Figure 5. Allen S. Weiss, template for Ryōan-ji score (composite photo and graphics by Tom Rasky). Note that all 15 stones are visible from this central perspective only because this is a composite photo. More
Images
in On the Limits of Representation: Ryōan-ji, Ryoanji , Where R = Ryoanji : …in memory of Daniel Charles…
> Resonance
Published: 01 March 2022
Figure 6. Allen S. Weiss, Ryōan-ji , Op. 1 (2012), for two glissando-producing instruments (graphics by Tom Rasky). Dotted lines indicate simultaneously sounded glissandi. More
Images
in On the Limits of Representation: Ryōan-ji, Ryoanji , Where R = Ryoanji : …in memory of Daniel Charles…
> Resonance
Published: 01 March 2022
Figure 7. Ryōan-ji, flat rock. Photo by Allen S. Weiss. More
Images
in On the Limits of Representation: Ryōan-ji, Ryoanji , Where R = Ryoanji : …in memory of Daniel Charles…
> Resonance
Published: 01 March 2022
Figure 8. Obai-in, waterfall rock and dry stream. Photo by Allen S. Weiss. More