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Volume 2, Issue 4
Winter 2021
Resonance Cover Image for Volume 2, Issue 4
EISSN 2688-867X
Introduction: Words from the Co-Founding Editors
Jay Needham, MFA, Phylis West Johnson, PhD
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Original Research

Special Series: Music and Cybernetics
Music and Cybernetics in Historical Perspective: Introduction to the Special Issue Edited by Christopher Haworth and Eric Drott
Christopher Haworth
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Leonard Meyer’s Theory of Musical Style, from Pragmatism to Information Theory
Brian A. Miller
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Daphne Oram: Cyberneticist?
Deirdre Loughridge
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Cybernetics, Listening, and Sound-Studio Phenomenotechnique in Abraham Moles’s Théorie de l’information et perception esthétique (1958)
Eamonn Bell
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The Sound Machine in the Body: Cybernetics and the Theremin
Clara Latham
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Music and the Cybernetic Mundane
Eric Drott
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Special Series: Media Activism
Wrap-up: Soundwork and the Resonance of Activism in Media
Alex Sayf Cummings
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Anti-Colonial Struggles on Air: Challenging the Colonial Soundscape through Indigenous Soundwork
Laura Garbes
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DIS/UNITY
Heidi Wiren Bartlett, Esther Baker-Tarpaga, Barber, Boubacar Djiga, Raquel Monroe ...
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Archiving Trash Radio in Québec City: The Soundwork of the Coalition Sortons les radios-poubelles
Simon-Olivier Gagnon
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Afterword

Of Green Tonalities and Radical Transcendence: How the Disunity and Futurity of Resonant Bodies Meet in the Park
Carter Mathes
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Review

Review: Annoying Music in Everyday Life, by Felipe Trotta
Rebecca Lentjes
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All Issues
Lawyers, Los Angeles, and Le Show: On Covering O. J. Simpson While Listening to Le Show, 1994–95
Sonic Crimes: Noise, Illicit Music, and Policing in 19th-Century Iranian Cities
Folklife on the Air: Archival Radio Collections at the American Folklife Center
Trance Against the Machine: Transpositions of Aesthetics in Indonesian Electronic Music and Beyond
Not All Noise Is an Interruption: Radio Interference in Mexico City, 1920s–1930s
  • Online ISSN 2688-867X
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