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Volume 2, Issue 2
Summer 2021
Resonance Cover Image for Volume 2, Issue 2
EISSN 2688-867X
Introduction: Words from the Co-Founding Editors
Jay Needham, MFA, Phylis West Johnson, PhD
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Invited Essays

Imperfect Sound Forever: A letter to a young phonographer
Christopher DeLaurenti
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Improvising with Architecture: Pea Soup and Related Work with Audio Feedback
Nicolas Collins
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Listening for the Pictures: Capturing History in Real Time
D. Michael Cheers
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Original Research

Start Here: Sounding the Materiality of the Compact Audio Cassette
Andy Birtwistle
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Vibration, Difference, and Solidarity in the Anthropocene: Ethical Difficulties of New Materialist Sound Studies and Some Alternatives
Andrew J. Chung
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A Community Ambience: Tracing the Affect of Tuning In—the neighborhood’s Contemporary Drone
Nicholas Burman
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Special Series: The Soundwork of Media Activism

Noise-Making, Occupy Wall Street, and the Politics of Amplification
John Vilanova
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Reverberations of the Black Feminist Breathing Chorus: An Interview with Alexis Pauline Gumbs and Sangodare
Cathy Thomas
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Invisible, as Music / But Positive, as Sound: Listening Pedagogies, Listening to Positionalities
Jen Shook
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Afterword

Discrepant Fidelity: Aurality in Michael Cheers’s Photographic Engagements with Black Life
Carter Mathes
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All Issues
Introducing the Special Series “Sound History Is Cultural History”
The Folkness of Harry Shearer
Bury Him by Radio: Early Funeral Broadcasts and the Mourning of President Warren G. Harding
Harry Shearer’s Le Show: Sonic Hyperlinks of Public Memory
Introduction: Words from the Editor
  • Online ISSN 2688-867X
  • Copyright © 2025 The Regents of the University of California. All Rights Reserved.
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