This article proposes the notion of an aural industrial extractivist global complex by tracing the place of sound in the early history of corporate colonialism, as practiced by the United Fruit Company. I explore how ethnomusicological (and ethnographic) research and radio, in particular, were key aspects in the corporate expansion of the United States into the Caribbean, Central America, and northern South America during the early 20th century. This ties the extractivist relations to land and to the ocean with sonic practices that were crucial for the articulation of US imperialism in the region.

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