In conjunction with her NEA Media Arts Residency at the Institute for Electronic Arts (IEA), artist Lorelei d’Andriole and I held the following conversation in a small, empty classroom on the fourth floor of Harder Hall on the campus of Alfred University (NYSCC). d’Andriole is an artist, educator, and writer whose work is at the intersection of intermedia and transgender studies. A day before the conversation she presented a lecture titled “Trans Embodiment and Intermedia Art,” which became the launching point for our conversation. “Oh, we’ll just sit and chat about your practice, your time at the IEA residency, and the idea of queer sound.” But we went on for nearly two and a half hours. As such, this interview has been edited and refined for publication.
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Summer 2024
Research Article|
June 01 2024
Violence/Visibility: A Conversation with Lorelei d’Andriole
James Hansen
James Hansen
James Hansen is an assistant professor of art history at Alfred University (NYSCC) and curator of the Light Matter Film Festival. His research, writing, and curating focus on experimental film, video and media art, and electronics. He has recently published in Afterimage and has a forthcoming essay in the Palgrave Handbook of Experimental Film.
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Resonance (2024) 5 (2): 143–154.
Citation
James Hansen; Violence/Visibility: A Conversation with Lorelei d’Andriole. Resonance 1 June 2024; 5 (2): 143–154. doi: https://doi.org/10.1525/res.2024.5.2.143
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