As we complete the fourth volume of Resonance: The Journal of Sound and Culture, I’m very proud to welcome the newest member of the journal’s editorial board, Dr. Charles Eppley. In his role as guest editor, Charles has been keenly focused on developing the ongoing special series “Queer Politics & Positionalities in Sonic Art.” On behalf of myself, the associate editors, and the members of the editorial board, I am thrilled to have Charles join us. Appearing in the “Queer Politics” section in this issue is author Casey Hale’s contribution, “‘A not admitting of the wound’: Reflections on a Microtonal Setting of Emily Dickinson.” Hale’s piece is a reflection on his recent studio EP, Tender Carpenter, a cross-genre setting for electric guitar in 19-tone equal temperament, voice, and virtual instruments. We are looking forward to continuing to publish the scholarship from this special series through our fifth volume...

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