As I introduce the fourth volume of Resonance, I’m very proud to welcome the newest members of the journal’s editorial board. These sound studies scholars and artists add to the diversity of perspectives as we continue to explore cultural boundaries and expand upon the concept of sound as a living, cultural force.
Throughout our fourth volume we will be presenting a new special series, “Queer Politics & Positionalities in Sonic Art.” The series will be guest edited by Charles Eppley (they/he), assistant teaching professor of Interdisciplinary Arts & Performance at Arizona State University and co-editor and research coordinator for the Proclaiming Disability Arts initiative at the NYU Center for Disability Studies. Their work will be assisted by a diverse team of scholars and artists from within the Resonance community. “Queer Politics & Positionalities in Sonic Art” asks vitally important questions such as, Does queer sound exist, and are there...
University of California Press