We propose a sonic ethnography that focuses on listening, departing from an investigation of a soundscape to one that attends to how people listen. This, we suggest, is crucial for an anthropological approach that understands sound as processual and relational. Rather than describing what the ethnographer hears, we outline a project of listening with others. Listening is ordinary, something at which everyone is expert, even as it expands beyond the ear and beyond the human. In this way, listening is central to an anthropogenic sensorium that shifts away from human exceptionalism. Always emergent, listening—like climate change—is fundamentally uncertain. And while recording technology has long been central to an anthropology of sound, we invite new ways of engaging audio technology that take seriously its presence in everyday listening as well as its expressive capacities.
A sonic ethnography: Listening to and with climate change
Marina Peterson is the author of Atmospheric Noise: Aerial Attunements in Los Angeles (Duke University Press, 2020). Tracing indeterminate categories and emergent entanglements of environmental noise, atmosphere, sense, and matter that cohere around airport noise in the 1960s, it addresses how noise amplifies ways of sensing and making sense of the atmospheric.
Vicki L. Brennan is the author of Singing Yoruba Christianity: Music, Media, Morality (Indiana University Press, 2018) which examines how members of the Cherubim and Seraphim Church Movement use music, dance, and other media as a means of producing moral community and reinforcing ethical values and modes of self-making.
Marina L. Peterson, Vicki L. Brennan; A sonic ethnography: Listening to and with climate change. Resonance 1 December 2020; 1 (4): 371–375. doi: https://doi.org/10.1525/res.2020.1.4.371
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