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Issue
February - Volume 81, Issue 1, Pages 2 - 117
May - Volume 82, Issue 1, Pages 1 - 133
August - Volume 83, Issue 1, Pages 1 - 194
November - Volume 84, Issue 1, Pages 1 - 251
Volume 84, Issue 1
November 2003
ISSN 0734-6018
EISSN 1533-855X
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Introduction
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titled, Introduction
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In Memory of Michael Rogin
T. J. CLARK
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titled, In Memory of Michael Rogin
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Beckett's Tattered Syntax
ANN BANFIELD
Abstract
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titled, Beckett's Tattered Syntax
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Property's Properties: From Hegel to Locke
PAUL THOMAS
Abstract
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titled, Property's Properties: From Hegel to Locke
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Escape from Alienation: Challenges to the Nation-State
NORMAN JACOBSON
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titled, Escape from Alienation: Challenges to the Nation-State
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National Identity and Shifting Imperial Frontiers: Whiteness and the Exclusion of Colonial Labor After World War I
TYLER STOVALL
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titled, National Identity and Shifting Imperial Frontiers: Whiteness and the Exclusion of Colonial Labor After World War I
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American Naturalism and Asiatic Racial Form: Frank Norris's
The Octopus
and
Moran of the “Lady Letty”
COLLEEN LYE
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titled, American Naturalism and Asiatic Racial Form: Frank Norris's <em>The Octopus</em> and <em>Moran of the “Lady Letty”</em>
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The First Boomer: Bill Clinton, George W., and Fictions of State
ERIC LOTT
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titled, The First Boomer: Bill Clinton, George W., and Fictions of State
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Crank Prophet Bestride America, Grinning: The Case of David Thomas
GREIL MARCUS
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titled, Crank Prophet Bestride America, Grinning: The Case of David Thomas
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Picturing Efficiency: Precisionism, Scientific Management, and the Effacement of Labor
SHARON CORWIN
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titled, Picturing Efficiency: Precisionism, Scientific Management, and the Effacement of Labor
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Shadows
ELIZABETH ABEL
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titled, Shadows
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John Ford's
My Darling Clementine
(1946)
RICHARD HUTSON
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titled, John Ford's <em>My Darling Clementine</em> (1946)
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Mr. Capra Goes to Washington
MICHAEL P. ROGIN
,
KATHLEEN MORAN
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titled, Mr. Capra Goes to Washington
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Representations
77–84
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titled, <em>Representations</em> 77–84
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Milton’s Coalitions
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Bio-Aesthetics in Hegel and Thomas Mann
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James Welling and the New Expressionism
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