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Martha Feldman is the Edwin A. and Betty L. Bergman Distinguished Service Professor of Music at the University of Chicago. Her books include Opera and Sovereignty (Chicago, 2007), The Castrato (Oakland, 2015), and the coedited The Voice as Something More: Essays toward Materiality (Chicago, 2019). She is now working on a book on castrato phantoms in twentieth-century Rome.
Nicholas Mathew is Professor of Music at the University of California, Berkeley. He is the author of Political Beethoven (Cambridge, 2013) and The Haydn Economy, forthcoming with the University of Chicago Press.
Martha Feldman, Nicholas Mathew; Music Histories from the Edge. Representations 1 May 2021; 154 (1): 1–9. doi: https://doi.org/10.1525/rep.2021.154.1.1
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