Despite modernist precepts, digital projects that use crowdsourcing to annotate large collections of images of paintings and book illustrations with “tags” have encouraged viewers to see things in pictures and to say what they see. Both personal image tagging (ekphrastic in function) and automatic image tagging challenge in different ways the proposition that a painting as such will elide recognizable content.
This content is only available via PDF.
© 2021 by The Regents of the University of California
2021
You do not currently have access to this content.