My essay revises the inherited understanding of Ruskin’s theory of pathetic fallacy by positing that his ideas are close to theories that oppose any strict division of phenomena into persons and things. To elaborate this point, the essay investigates Poe’s “The Fall of the House of Usher,” where inanimate things are rendered animate, claiming that such instances are far from being pathetically fallacious and, also, that Poe’s ontology is in accord with that formulated by Ruskin.

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