Textual evidence indicates that the novelist Endō Shūsaku read the anticolonialist writer Frantz Fanon in the early 1950s, incorporating Fanon’s arguments on color and colonialism into his depiction of Japanese subjects after 1945. Examination of that heretofore unnoticed encounter provides an opportunity to reconsider the paradigms by which each writer is understood today and the terms in which they imagined a world not ordered by empires, whether European, American, or Japanese.

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