Why exactly did Blaise Pascal carry with him the testimony of a life-transforming religious experience written in two slightly different versions and hidden in the lining of his coat? By tracing the unease with which this question has been met—or most often, dodged—by 350 years’ worth of readers, this essay argues that Pascal’s so-called Mémorial still today presents us with the necessity to rethink the commemorative and transformative function of texts in general.
Twice Written, Never Read: Pascal’s Mémorial Between Superstition and Superbia
Hall Bjørnstad, Assistant Professor of French at Indiana University, Bloomington, is the author of Créature sans créateur. Pour une anthropologie baroque dans les “Pensées”de Pascal (Québec, 2010; Paris, 2013) and, with Katherine Ibbett, co-editor of a special issue of Yale French Studies, “Walter Benjamin’s Hypothetical French Trauerspiel” (2013).
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Hall Bjørnstad; Twice Written, Never Read: Pascal’s Mémorial Between Superstition and Superbia. Representations 1 November 2013; 124 (1): 69–95. doi: https://doi.org/10.1525/rep.2013.124.1.69
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