This article considers the reinvention of the Enlightenment encyclopedic tradition in a late eighteenth-century Germany overwhelmed by the proliferation of print. In particular, it traces a shift in the very metaphors of encyclopedic knowledge from those of vision that characterized Diderot and D'Alembert's Encyclopédie to those of touch that characterized the German poet Novalis's Allgemeine Brouillon.

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Spring 2011 © The Regents of the University of California
2011
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