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19th-Century Music (2016) 40 (1): 56–78.
Published: 01 July 2016
... nuanced syntax that logically carries the voices from outdoors to indoors to the interior life of a character, usually a white woman. Director D. W. Griffith expands this use of diegetic singing in ways that will later be the province of nondiegetic underscore in his first sound film, Abraham Lincoln...
19th-Century Music (2011) 35 (1): 72–89.
Published: 01 July 2011
... the special attention of folklorists because of the remarkable and indeed sensational role played in it by music: its narrative reflects a fascinating ideology of the cultural power of music as the voice of the oppressed, while its musical interludes, chilling spectral songs sung by the bone of the...