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19th-Century Music (2012) 36 (2): 191–203.
Published: 01 November 2012
... engendered by this constant resituating of the audience create a sense of the familiar rendered strange, of being somehow out of place in one's relation to the stage. Media and performance theory are employed in concert with Freud's influential work on the uncanny to describe this as the “intermedial uncanny...
19th-Century Music (2012) 35 (3): 238–260.
Published: 01 March 2012
...-century notions of Orientalism (alterity), nationalism (nostalgia), coming to life (the automaton), tuberculosis (the boundary of life and death), and the uncanny (fragmentation of the body/mind). But just as Lacan argued that we can never reach a final meaning for a symptom, the article concludes that...