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Keywords: subjectivity
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Journal Articles
19th-Century Music (2018) 42 (1): 30–52.
Published: 01 July 2018
... the narrator can be just as unstable in literary texts as in musical ones. The problems of narration that have been imputed to music are problems of narration itself. Regarding the era of Chopin's Ballade, these problems also point to unstable models of subjectivity, which the logic of narrative...
Journal Articles
19th-Century Music (2017) 40 (3): 223–238.
Published: 01 March 2017
... questions of representation with a focus on how music generates a sense of subjectivity. Three approaches facilitate a more subtle and variegated understanding of Rimsky-Korsakov's “soundscapes” than has been proposed so far. First, landscape is interpreted as a facet of Russian national identity in the...
Journal Articles
19th-Century Music (2017) 40 (3): 201–222.
Published: 01 March 2017
... crucial in coming to an aesthetic understanding of the cycle. Schumann's procedure, in juxtaposing a number of poems drawn from disparate works, presents an extreme case whereby narrative and subjective identity are put to the test, and the listener is invited to fill the vacant space left by the...
Journal Articles
19th-Century Music (2017) 40 (3): 257–282.
Published: 01 March 2017
... collective, the “artistic” and the “accessible,” and, as I suggest, the subjective voice of the individual artist in its invitation to the participation of a singing and listening community. I propose that Vaughan Williams's early songs frequently frame the idea or demand the engagement of a listener's...
Journal Articles
19th-Century Music (2012) 35 (3): 238–260.
Published: 01 March 2012
...Michael Klein This article views Chopin's Mazurka in C# Minor, op. 30, no. 4, as akin to a dream that is open to analysis from a Lacanian perspective. After a discussion of Jacques Lacan's famous orders of subjectivity (the imaginary, the symbolic order, and the Real), the article turns to his...
Journal Articles
19th-Century Music (2011) 34 (3): 341–355.
Published: 01 March 2011
...Daniel K. L. Chua Music has often been used to symbolize and express ontological experiences. This article explores a mode of nineteenth-century self-audition where music captures a glimpse of the freedom that lies at the core of the subject. This mode of listening has intensified with the...