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19th-Century Music (2009) 33 (2): 81–109.
Published: 01 November 2009
... was also distinguished by a spate of self-borrowing; his 1838 revision of the earlier Gabriella di Vergy borrows material from Maria de Rudenz . Exploring the connections between the trope of gothic resurrection and Donizetti's borrowings highlights how the two works represent a characteristic...