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19th-Century Music (2018) 41 (3): 206–224.
Published: 01 March 2018
...Natasha Loges Franz Schubert's song cycle Die schöne Müllerin makes enormous demands not only on the performers but also on its audience, a factor that shaped the early performance history of the work. In this article, the pioneering complete performances of Die schöne Müllerin by the baritone...
19th-Century Music (2015) 38 (3): 243–271.
Published: 01 March 2015
... early performance history. But while Joachim's compositional contributions to the concerto have been well documented, his importance as a performer is usually acknowledged only in vague terms. We sense that Joachim the performer is somehow “in” this concerto without being able to articulate how. This...
19th-Century Music (2012) 36 (1): 46–57.
Published: 01 July 2012
... the University of California 2012 early recordings performance practice notation hairpins performance Brahms 46 19TH CENTURY MUSIC 19th-Century Music, vol. 36, no. 1, pp. 46 57 ISSN: 0148-2076, electronic ISSN 1533-8606. © 2012 by the Regents of the University of California. All rights...
19th-Century Music (2011) 35 (1): 72–89.
Published: 01 July 2011
... murder victim, invoke the potent and at times unsettling effects of musical performance. Gustav Mahler's first large-scale work, Das klagende Lied , takes up this extraordinary narrative and translates its exceptional features into poetry and musical sound in a manner that especially foregrounds and...
19th-Century Music (2010) 34 (2): 141–167.
Published: 01 November 2010
... masterwork from the picture to reconsider the Liederspiel as a sociable, performative event and address persistent questions concerning the self, its expression and development, and communicative relationships between selves as mediated through singing lyric poetry. Building upon Youens's suggestion that the...