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Keywords: performance
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Journal Articles
19th-Century Music (2018) 41 (3): 206–224.
Published: 01 March 2018
...Natasha Loges Franz Schubert's song cycle Die schöne Müllerin makes enormous demands not only on the performers but also on its audience, a factor that shaped the early performance history of the work. In this article, the pioneering complete performances of Die schöne Müllerin by the baritone...
Journal Articles
19th-Century Music (2015) 38 (3): 243–271.
Published: 01 March 2015
... and early performance history. But while Joachim's compositional contributions to the concerto have been well documented, his importance as a performer is usually acknowledged only in vague terms. We sense that Joachim the performer is somehow “in” this concerto without being able to articulate how...
Journal Articles
19th-Century Music (2012) 36 (1): 46–57.
Published: 01 July 2012
... is central, suggesting that instead of “growing louder/quieter,” hairpins are better understood as “becoming more/less.” The means by which “more/less” was realized by nineteenth-century musicians included many techniques beyond dynamics, most notably agogic inflection. early recordings performance...
Journal Articles
19th-Century Music (2011) 35 (1): 72–89.
Published: 01 July 2011
... victim, invoke the potent and at times unsettling effects of musical performance. Gustav Mahler's first large-scale work, Das klagende Lied , takes up this extraordinary narrative and translates its exceptional features into poetry and musical sound in a manner that especially foregrounds and amplifies...
Journal Articles
19th-Century Music (2010) 34 (2): 141–167.
Published: 01 November 2010
... from the picture to reconsider the Liederspiel as a sociable, performative event and address persistent questions concerning the self, its expression and development, and communicative relationships between selves as mediated through singing lyric poetry. Building upon Youens's suggestion...