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19th-Century Music (2021) 45 (2): 93–118.
Published: 01 November 2021
... The Regents of the University of California exoticism imperialism Orientalism localcolor opera France (nineteenth century) colonialism libretto staging sets costumes The Exotic in Nineteenth-Century French Opera, Part 1: Locales and Peoples RALPH P. LOCKE EXPLORING AN EXTENSIVE REPERTOIRE...
19th-Century Music (2021) 44 (3): 133–168.
Published: 01 March 2021
... composers—Alfred Bruneau and Camille Saint-Saëns—who rearranged his Greek songs in different contexts. Treating the songs with remarkable plasticity, they appropriated Bourgault-Ducoudray’s authority to enhance representations of “oriental” and “ancient” worlds, negotiating a balance between scholarly...
19th-Century Music (2012) 35 (3): 238–260.
Published: 01 March 2012
... of Orientalism (alterity), nationalism (nostalgia), coming to life (the automaton), tuberculosis (the boundary of life and death), and the uncanny (fragmentation of the body/mind). But just as Lacan argued that we can never reach a final meaning for a symptom, the article concludes that there can...
19th-Century Music (2008) 31 (3): 179–192.
Published: 01 March 2008
...Paul Christiansen In an article on Orientalism and musical style, Derek B. Scott posits a near-exhaustive list of musical characteristics that act as Orientalist signifiers. Measures 85–88 in the development section of the first movement of Haydn's “Fifths” Quartet contain eight of them: augmented...