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Keywords: nationalism
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Journal Articles
19th-Century Music (2021) 45 (2): 167–182.
Published: 01 November 2021
... would conceal these Western parallelisms would later be hailed as markers of a uniquely “Russian” literary and operatic style in a critical campaign designed to erase Russia’s long history of artistic dialogue with the wider Continent. adaptation nationalism Dargomyzhsky Pushkin bel canto...
Journal Articles
19th-Century Music (2017) 41 (1): 31–47.
Published: 01 July 2017
...Clinton D. Young This article examines the development of Wagnerism in late-nineteenth-century Spain, focusing on how it became an integral part of Catalan nationalism. The reception of Wagner's music and ideas in Spain was determined by the country's uneven economic development and the weakness...
Journal Articles
19th-Century Music (2016) 39 (3): 223–247.
Published: 01 March 2016
... that the kujawiak , as it is understood in relation to Chopin's mazurkas, is largely a creation of Polish nationalism after Chopin's time. In Chopin's own time, the term kujawiak is used only sporadically and appears to be interchangeable with mazur; by the end of the nineteenth century, however, the kujawiak...
Journal Articles
19th-Century Music (2016) 39 (3): 248–271.
Published: 01 March 2016
..., http://www.ucpress.edu/journals.php?p=reprints . 2016 folk songs nationalism historiography Julien Tiersot Vincent d'Indy 248 19TH CENTURY MUSIC 19th-Century Music, vol. 39, no. 3, pp. 248 271 ISSN: 0148-2076, electronic ISSN 1533-8606. © 2016 by the Regents of the University of California...
Journal Articles
19th-Century Music (2011) 35 (2): 132–143.
Published: 01 November 2011
...-nationalist Russian music. I don t care what kind of nationalist you are, I m against you. As long as nationalism is the issue we see as divid- ing Russian musicians, we are still in the ghetto that nationalist discourse has created for us. The ghetto is especially obvious if we choose to speak only about...
Journal Articles
19th-Century Music (2011) 35 (2): 115–131.
Published: 01 November 2011
... composers were truly national, especially when we generalize that local color denotes any distinguishing device designed to evoke a specific time and place, as well as the social identity of a character. Thus Tchaikovsky's operas, often criticized for their lack of “Russianness,” display a subtle...