... would conceal these Western parallelisms would later be hailed as markers of a uniquely “Russian” literary and operatic style in a critical campaign designed to erase Russia’s long history of artistic dialogue with the wider Continent. adaptation nationalism Dargomyzhsky Pushkin bel canto...

...Clinton D. Young This article examines the development of Wagnerism in late-nineteenth-century Spain, focusing on how it became an integral part of Catalan nationalism. The reception of Wagner's music and ideas in Spain was determined by the country's uneven economic development and the weakness...

... that the kujawiak , as it is understood in relation to Chopin's mazurkas, is largely a creation of Polish nationalism after Chopin's time. In Chopin's own time, the term kujawiak is used only sporadically and appears to be interchangeable with mazur; by the end of the nineteenth century, however, the kujawiak...

..., http://www.ucpress.edu/journals.php?p=reprints . 2016 folk songs nationalism historiography Julien Tiersot Vincent d'Indy 248 19TH CENTURY MUSIC 19th-Century Music, vol. 39, no. 3, pp. 248 271 ISSN: 0148-2076, electronic ISSN 1533-8606. © 2016 by the Regents of the University of California...

... through the writings of Rosa Newmarch. The article ends with a call for de-exoticizing Russian music in the discourse of musicology. nationalism exoticism Russian music Stasov Newmarch © 2011 by the Regents of the University of California 2011 132 19TH CENTURY MUSIC 19th-Century Music, vol...

... composers were truly national, especially when we generalize that local color denotes any distinguishing device designed to evoke a specific time and place, as well as the social identity of a character. Thus Tchaikovsky's operas, often criticized for their lack of “Russianness,” display a subtle...