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19th-Century Music (2012) 36 (2): 191–203.
Published: 01 November 2012
... operatic performance and audiences through the ongoing intersections of production elements (story, text, music, mise-en-scène , performers) and media-specific concerns (spectatorial gaze, hypermediacy, immediacy, reproducibility, liveness). A reading of act I from the 2009 Metropolitan Opera simulcast of...