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19th-Century Music (2022) 45 (3): 185–203.
Published: 01 March 2022
... of California exoticism imperialism local color opera nineteenth-century French opera libretto staging sets costumes The Exotic in Nineteenth-Century French Opera, Part 2: Plots, Characters, and Musical Devices RALPH P. LOCKE Part 1 of this article discussed various more or less distant lands...
19th-Century Music (2021) 45 (2): 93–118.
Published: 01 November 2021
... The Regents of the University of California exoticism imperialism Orientalism localcolor opera France (nineteenth century) colonialism libretto staging sets costumes The Exotic in Nineteenth-Century French Opera, Part 1: Locales and Peoples RALPH P. LOCKE EXPLORING AN EXTENSIVE REPERTOIRE...
19th-Century Music (2011) 35 (2): 132–143.
Published: 01 November 2011
... through the writings of Rosa Newmarch. The article ends with a call for de-exoticizing Russian music in the discourse of musicology. © 2011 by the Regents of the University of California 2011 nationalism exoticism Russian music Stasov Newmarch 132 19TH CENTURY MUSIC 19th-Century Music, vol...
19th-Century Music (2009) 33 (1): 3–24.
Published: 01 July 2009
... through the exoticizing lens of Western representations. Berlioz's own references to the bayadères are examined in relation to contemporary reviews and the text of a highly self-reflexive play that was performed as a prologue and that shaped audiences' responses to the bayadères' performances...
19th-Century Music (2008) 31 (3): 179–192.
Published: 01 March 2008
... in the imaginary world of European exoticism as denizens of a mysterious East as close in geography as it was remote in custom. They were typically represented as either sensual, inviting, and voluptuous (their feminine manifestation), or inexplicably menacing or dangerous (the masculine manifestation...