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Keywords: aesthetics
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Journal Articles
19th-Century Music (2023) 47 (2): 111–128.
Published: 01 November 2023
... of each section, as though the evocation of new strength could recur eternally. Such formal processes depict strength as a renewable resource capable of sustaining temporal eternity. Beethoven aesthetics philosophy temporality form The soul of man Is like the water: It comes from heaven...
Journal Articles
19th-Century Music (2022) 45 (3): 204–219.
Published: 01 March 2022
...” is. Examining the conceptuality of free play in Kant’s “Analytic of the Beautiful” helps shift the crux of music’s meaningful plurality away from the ontology of “music” to language—which delimits aesthetic experience as “music” and makes it available for contemplation. The ineffabilist arguments that musical...
Journal Articles
19th-Century Music (2019) 43 (1): 38–60.
Published: 01 July 2019
... by the Gazette musicale . The Gazette ’s campaign has been understood by modern scholars as a conspicuous moment in a broad aesthetic shift away from French salon music and toward high German Romanticism, and the Gazette has garnered praise for its prescience. But a closer examination of the Gazette ’s articles...
Journal Articles
19th-Century Music (2019) 42 (3): 184–224.
Published: 01 April 2019
... by subsequent generations of Russian composers. Glinka reception aesthetics form instrumental music © 2019 by The Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California...
Journal Articles
19th-Century Music (2017) 41 (2): 95–120.
Published: 01 November 2017
... for theorizing a version of this aesthetic category that is active in the nineteenth-century critical discourse about music. In the early nineteenth century, music becomes uncanny because it discloses what should remain hidden from finite revelation. Critics understand passages of instrumental ombra music...
Journal Articles
19th-Century Music (2013) 37 (1): 3–36.
Published: 01 July 2013
...Matthew Gelbart Many of Mendelssohn's letters and statements demonstrate his aversion to any music, including the traditions he encountered on his travels in Scotland and other destinations, when it stood outside certain aesthetic and technical teachings that in his student years he took to heart...