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19th-Century Music (2011) 34 (3): 316–340.
Published: 01 March 2011
... subjective isolation of the protagonist. The scene's distance comes from the floating operatic venue (Bregenz Festival), the voyeuristic production (“techno-opera”), the frenetic montage in much of the sequence, and the work itself ( Tosca ), which has parallels with the filmic story. Detachment is further...
19th-Century Music (2008) 31 (3): 228–244.
Published: 01 March 2008
...Arman Schwartz This article offers a new interpretation of the operatic phenomenon known as verismo , and of the relationship of Puccini's Tosca with that movement. In contrast to previous scholarship on verismo , which often treats the relationship between literature and music as transparent, I...