1-7 of 7
Keywords: Robert Schumann
Close
Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Articles
19th-Century Music (2023) 46 (3): 217–243.
Published: 01 March 2023
...Ji-Young Kim In the 1830s, Robert Schumann wrote Impromptus on a Romance by Clara Wieck (op. 5), a set of variations on the theme from Wieck’s Romance variée (op. 3). In the 1850s, Clara Schumann wrote variations (op. 20) on an “Albumblatt” from Robert Schumann’s Bunte Blätter (op. 99), which...
Journal Articles
Journal Articles
19th-Century Music (2020) 43 (3): 170–193.
Published: 01 March 2020
..., learn more than they know about themselves. Romantic precursors of modernist experiments in fiction—incipient cases of narrative unreliability—arise in the works of, among others, Jean Paul Richter and Heinrich Heine, two of Robert Schumann's favorite writers. In his early solo piano cycle, Papillons...
Journal Articles
19th-Century Music (2017) 40 (3): 201–222.
Published: 01 March 2017
... the recurring Ro- 10John Daverio, Robert Schumann: Herald of a New Po- etic Age (New York: Oxford University Press, 1997), 215. 11The existence of two versions of op. 39 the 1842 edi- tion, starting with Der frohe Wandersmann, and a sec- ond edition from 1850, which replaced this song with the first In der...
Journal Articles
19th-Century Music (2012) 36 (1): 24–45.
Published: 01 July 2012
...Holly Watkins Robert Schumann's Blumenstück , op. 19, a short piano piece dating from 1839, is generally not included among the composer's more poetically inspired or formally adventurous pieces. Thanks in part to Schumann's own disparaging remarks about the piece, Blumenstück , like...
Journal Articles
19th-Century Music (2010) 34 (2): 186–207.
Published: 01 November 2010
... s Preludes and Fugues, op. 35, Robert Schumann called his readers attention to slight but signi cant differences in fugal technique: In a word, these fugues have much of Sebastian in them and might make the most sharp-sighted reviewer err, were it not for the melody, the ner smelting in which one...
Journal Articles
19th-Century Music (2009) 33 (2): 173–192.
Published: 01 November 2009
... context, Maler Nolten: Novelle in zwei Theilen (1832). Thereafter I follow Mörike's Mägdlein from her poetic beginnings to two of her best-known musical reappearances: Robert Schumann's “Das verlassne Mägdelein” (op. 64, no. 2) of 1847 and the work it inspired forty years later, Hugo Wolf's 1888 “Das...