... threats of erasure by coopting and manipulating the offstage world as represented by the orchestra. The Seguidilla seduction scene in George Bizet's Carmen and the “Dance of the Seven Veils” in Richard Strauss's Salome raise the question of how subjectivity and material presence, especially of the femme...

... of California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints . 2017 Richard Strauss Heinrich Heine orchestration Third Reich Romantic song 283 LAURA TUNBRIDGE Versioning Strauss 19th-Century Music, vol. 40, no. 3, pp. 283 300 ISSN: 0148-2076, electronic...

...Adrian Daub This article examines the musical, literary, and theatrical practice of a group of early German modernists — above all Richard Strauss and Frank Wedekind. All of them turn to dance, its unmediated physicality, and its erotic charge to articulate a response to Richard Wagner's theatrical...

... of the melodramatic mode as they are described in writing on theater, film, and the novel before turning to a close reading of Richard Strauss's Enoch Arden , op. 38, a melodrama for speaker and piano. I aim to show that not only the themes of Enoch Arden 's narrative but also the form of its narration...