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Keywords: Elektra
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19th-Century Music (2016) 39 (3): 272–289.
Published: 01 March 2016
..., in this case). Their reflections on the role of dance in operatic and theatrical spectacle find their expression in Elektra 's final dance, which turns on its head the mysterious persuasiveness that Wagner had feared in dance and that Wedekind and Strauss had used to such effect in Salomé : a dance so...