Skip Nav Destination
1-2 of 2
19th-Century Music (2013) 36 (3): 248–263.
Published: 01 March 2013
...Sarah Hibberd Grand opera's love of all-consuming spectacle is evident in its cataclysmic eruptions, explosions, and shipwrecks, its magnificent processions and ceremonies, and its breathtaking reconstructions of sublime landscapes, from Auber's La Muette de Portici (1828), through Halévy's La...
19th-Century Music (2010) 33 (3): 195–231.
Published: 01 March 2010
... (1828) and Auber's Le Philtre (1831), petit opééra was the direct result of institutional pressure from the state for the Opééra to mount productions of both opera and ballet, the preference of the institution and its audiences for evenings with both opera and ballet, and the indirect aesthetic pressure...