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womens-movement

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Journal Articles
19th-Century Music (2008) 31 (3): 193–216.
Published: 01 March 2008
... home. These profound changes took place in the context of the first American women's movement, 1848––1920. While of far less significance than the vote or control of their own resources, matinees brought women out of domestic confinement to freer access to the public life of the city. That in turn...
Journal Articles
19th-Century Music (2014) 37 (3): 161–187.
Published: 01 March 2014
... music, including her two librettos, two essay collections on the arts, and numerous articles and feuilletons, demonstrates how one contemporary woman considered the progressive movements in music and in women's rights to be interrelated. A staunch advocate of Wagner, Otto contributed to numerous music...
Journal Articles
19th-Century Music (2020) 44 (1): 36–58.
Published: 01 July 2020
... particular movement or school.6 Professional networks aside, when one judges the type of composer Caplet was by his cata- logue of works, his interest in Catholicism is unavoidable. Caplet s largest work, Le Miroir de Jésus, which was also his final completed composition and the one he called his first...
Journal Articles
19th-Century Music (2020) 44 (1): 3–18.
Published: 01 July 2020
... no one within sight or sound, the windows were open over the garden, and the familiar sounds floated through the room with a solemn sadness. At the end of the first movement I looked round instinctively to the corner where he used once to sit and listen to my playing. He was not there; his chair...
Journal Articles
19th-Century Music (2020) 44 (1): 19–35.
Published: 01 July 2020
... nation. Robert Brain has written on the synergies and transfers between experi- mental physiology and aesthetic concerns of the visual, literary, and musical movements of the fin de siècle. Hiswork on the physiology of vocal- ization, including the development of experi- mental phonetics and the...
Journal Articles
19th-Century Music (2020) 43 (3): 194–208.
Published: 01 March 2020
... mimics the orchestration of the Witches Sabbath movement in Hector Berlioz s Symphonie fantastique. The allusion is apt, given that Berlioz s piece with its famous idée fixe is a musical portrait of obsession, or mono- mania, as the nineteenth century called it,58 while the Dance of the Seven Veils is...
Journal Articles
19th-Century Music (2020) 43 (3): 170–193.
Published: 01 March 2020
... then he tells Henriette Voigt in 1834 that only the last of the twelve Papillons movements was inspired by Jean Paul. Published in May of 1832, Rellstab s critical review of the extraneous program in Papillonsmust deeply have affected Schumann s outlook on op. 2;24 in any case, it seems clear that...
Journal Articles
19th-Century Music (2020) 43 (3): 143–169.
Published: 01 March 2020
Journal Articles
19th-Century Music (2019) 43 (1): 17–37.
Published: 01 July 2019
...-eighteenth-century eclipse of the castrati.8 However, Feldman s demonstration of a primarily Italian movement away from an uneasy tolerance of the castrati and toward a rejection, not only of their music but also of their very humanity, has often been taken as a description of a moral and philo- sophical...
Journal Articles
19th-Century Music (2018) 42 (2): 123–154.
Published: 04 December 2018
..., Leighton and Music, in Frederic Leighton: Antiq- uity, Renaissance, Modernity, ed. Tim Barringer and Eliza- beth Prettejohn (New Haven: Yale University Press, 1999), 295 314, and Tim Barringer, Art, Music, and the Emo- tions in the Aesthetic Movement, 19: Interdisciplinary Studies in the Long Nineteenth...
Journal Articles
19th-Century Music (2018) 42 (2): 73–95.
Published: 04 December 2018
... Irish songs. 83 Such findings would create trouble when the folk-song movement began to take on a more determinedly nation- alistic bearing under Cecil Sharp.84 79Ibid. 80Lee, Some Experiences, 8. 81Ibid., 8 9. 82Ibid., 9. 83Ibid., 10. 84On this phase of the revival under Sharp s influence, see Ross...
Journal Articles
19th-Century Music (2018) 42 (1): 30–52.
Published: 01 July 2018
... musical modernism as a movement beginning in the nine- teenth century, see Seth Brodsky, From 1989, or European Music and the Modernist Unconscious (Oakland: Univer- sity of California Press, 2017), 36 62. 18The mechanical nature of Poe s creative method dogged his reception after his death. For a...
Journal Articles
19th-Century Music (2018) 42 (1): 3–29.
Published: 01 July 2018
..., and Instrument Mak- ers in Nineteenth-Century Germany (Cambridge, MA: MIT Press, 2006), 183 97. 24On Scheibler, ibid., 151 81. 25On such pedagogical devices, invented by Henri Herz, Friedrich Kalkbrenner, Johann Bernhard Logier, and Casimir Martin, among others, see Arthur Loesser, Men, Women, and...
Journal Articles
19th-Century Music (2018) 41 (3): 225–251.
Published: 01 March 2018
... having imitated an existing play. In his protracted defense, he took every opportunity to distinguish his libretto from the literary tradition to which it belongs and tie it instead to the verismo movement (with which critics had associated it since the premiere). He began to claim, for instance, that...
Journal Articles
19th-Century Music (2017) 41 (2): 95–120.
Published: 01 November 2017
... him in the proximity of the subterranean, and the forcible expressions of resistance were accompa- nied by the movements of a spiritual and physical intoxi- cation. Unless otherwise noted, all translations from the German are mine. In a survey of articles published in German-language music journals...
Journal Articles
19th-Century Music (2017) 41 (1): 75–92.
Published: 01 July 2017
... score resists an easy corre- spondence between the sonic and the kinetic. Rather than movement embedded in the score, as in Satie s Tennis, the beginning of Jeux merely anticipates the décor about to be re- vealed. After the young man disappears, two young women enter from opposite sides of the stage...
Journal Articles
19th-Century Music (2017) 41 (1): 48–74.
Published: 01 July 2017
.... Chausson s biographer Jean Gallois notes that the composer s aesthetics were profoundly transformed by the nascent literary movement.8 In Moréas s formulation, the Symbolists un- derstood their poetry as the enemy of teach- ing, declamation, false sensibility, and objec- tive description a position that...
Journal Articles
19th-Century Music (2017) 40 (3): 283–300.
Published: 01 March 2017
... the song. Past and present are of less concern than being able to move fluidly between past, present, and future. Such movement opens up the possibility of a less rigid interpretation of Strauss's historical standing that allows his songs to be considered as other than simply regressive. The...
Journal Articles
19th-Century Music (2017) 40 (3): 239–256.
Published: 01 March 2017
... eva- sive; le constat de presence devient entrevision; la prose se fait poèsie. The sentence is part of a passage in which Jankélévitch discusses two orchestral movements, Les parfums de la nuit and Soirée dans Grenade, two noc- turnes completely filled by the mystery of absent pres- ence. Vladimir...
Journal Articles
19th-Century Music (2016) 40 (2): 106–130.
Published: 01 November 2016
...- emplary in their normative harmonic stability (ex. 1). But at the counterstatement starting in m. 9, the local tonicization of the mediant ma- jor (initially approached as an applied domi- nant to the relative minor) suggests a less con- ventional pattern of tonal movement, and the chord in the second...