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women-public-spaces

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Journal Articles
19th-Century Music (2008) 31 (3): 193–216.
Published: 01 March 2008
... encouraged women to imagine, and some to achieve, public lives. ©© 2008 by the Regents of the University of California 2008 New York matinee women in concert and opera audiences women in public spaces women's movement 193 ADRIENNE FRIED BLOCK Matinee Mania in New York 19th-Century Music, vol...
Journal Articles
19th-Century Music (2020) 44 (1): 19–35.
Published: 01 July 2020
... to the state- funded lyric houses allows us to grasp the size and efficiency of the Opéra s medical staff. They reveal the efforts on the part of the state to exert control over safety and grapple with perceptions of the public health issues related to larger perfor- mance spaces. They also reveal...
Journal Articles
19th-Century Music (2020) 44 (1): 36–58.
Published: 01 July 2020
...Megan Sarno André Caplet’s Le Miroir de Jésus (1923), a song cycle scored for mezzo soprano soloist, women’s choir, string quartet, and two harps, has a lush sound world and dramatic vocal declamation, and it was immediately recognized as a masterpiece by the Parisian musical press. The work’s...
Journal Articles
19th-Century Music (2020) 43 (3): 194–208.
Published: 01 March 2020
... in opera regain auton- omy within narratives that render their bodies partial.2 The body-in-pieces, instead, becomes 1Roland Barthes, The Pleasure of the Text, trans. Richard Miller (New York: Hill and Wang, 1975 [1973 9 10. 2Catherine Clément, Opera, or the Undoing of Women, trans. Betsy Wing...
Journal Articles
19th-Century Music (2020) 43 (3): 143–169.
Published: 01 March 2020
... 3). While the company s bestselling products were busts for display in public spaces, masks were the objects of choice for private rooms, with a certain intimacy that evoked a funeral wake.19 Beethoven s mask rose in demand with a col- laboration between the Gebrüder Micheli and the Beethoven-Haus...
Journal Articles
19th-Century Music (2019) 43 (1): 17–37.
Published: 01 July 2019
..., failing to perform masculinity. As Rachel Cowgill and Hilary Poriss note, the modern study of female singers of this histori- cal period is hampered by the fact that these women rarely wrote about themselves. Their stories come to us filtered through the male music critic s pen.5 The male singers dealt...
Journal Articles
19th-Century Music (2019) 42 (3): 225–248.
Published: 01 April 2019
... of the St. Pauli quarter. Do you know those places? he asked. Only from the outside. Then you can t have the least idea of what they are really like. And in those days they were still worse. They were filled with the lowest sort of public women the so-called Singing Girls. When the sailing...
Journal Articles
19th-Century Music (2019) 42 (3): 157–183.
Published: 01 April 2019
... Heinrich Kreißle von Hellborn, Franz Schubert (Vienna: Carl Gerold s Sohn, 1865), 135, 136, 142, 437. Although officially of amateur status (having not made his main career in music or the theater, but as a bureaucrat with a noble title), Schönstein did perform in both private and public concerts. The...
Journal Articles
19th-Century Music (2018) 42 (2): 123–154.
Published: 04 December 2018
... beautiful interiors. The Victorian salon holds an ambiguous place within the public-private binary. As Ruth Solie has noted, the nineteenth-century salon differed from the private realm of the domestic home of the conjugal family. The space and practice of the bourgeois salon, in which star musicians such...
Journal Articles
19th-Century Music (2018) 42 (2): 73–95.
Published: 04 December 2018
... in houses, displayed on alehouse walls, and dis- persed around public spaces.43 Powerfully shaping rural traditions within what Christo- pher Marsh describes as a never-ending process of circulation, these ubiquitous sheets were initially accompanied by an indi- cation of melody (by title only) and...
Journal Articles
19th-Century Music (2018) 42 (1): 30–52.
Published: 01 July 2018
...), 243 54. 35That censor, Nikolai N. Novitsilsov, the Russian pleni- potentiary of Poland, wrote a report to the tsar that Mickiewicz s poorly organized poem merely reflected the feelings of the Polish people. Publication of Konrad Wallenrod still proceeded in Russia, although mention of Mickiewicz was...
Journal Articles
19th-Century Music (2018) 42 (1): 3–29.
Published: 01 July 2018
..., and Instrument Mak- ers in Nineteenth-Century Germany (Cambridge, MA: MIT Press, 2006), 183 97. 24On Scheibler, ibid., 151 81. 25On such pedagogical devices, invented by Henri Herz, Friedrich Kalkbrenner, Johann Bernhard Logier, and Casimir Martin, among others, see Arthur Loesser, Men, Women, and...
Journal Articles
19th-Century Music (2018) 41 (3): 225–251.
Published: 01 March 2018
.... The remaining sources are in obscure publications that have become readily accessible only through such Web sites as gallica.bnf.fr or internetculturale.it. Thus, it is hardly surprising that such a large corpus of newly considered sources tells a story of Pagliacci that differs substantially from the...
Journal Articles
19th-Century Music (2017) 41 (2): 121–150.
Published: 01 November 2017
... history of sound itself.3 The phonograph s dominance in scholarly discussions has obscured the fact that explora- tions of text-based sound recording continued through the late nineteenth century and well into the twentieth, as indicated by the list of publications in the Appendix. In contrast to the...
Journal Articles
19th-Century Music (2017) 40 (3): 185–188.
Published: 01 March 2017
..., Song, Music and Poetry: The Nineteenth Century and After (Berkeley: Uni- versity of California Press, 1984), revised for publication in Song Acts: Writings on Words and Music (Leiden: Brill, 2017), and Franz Schubert: Sexuality, Subjectivity, Song (Cambridge: Cambridge University Press, 1998), esp. 28...
Journal Articles
19th-Century Music (2017) 40 (3): 239–256.
Published: 01 March 2017
... implicit in Verlaine s poem in order to make a song that only delicately inflects its otherwise harmonious space. All five of these songs remained unpublished during Debussy s lifetime. In 1903, when he finally saw the publication of Fêtes galantes I, there was no hint that, as noted earlier, the songs in...
Journal Articles
19th-Century Music (2017) 40 (3): 283–300.
Published: 01 March 2017
... and grief of the young women. To say this is a setting of the poem indeed seems far too demure.2 Heine s rhyme scheme is wrenched apart by the vocal line, the refrain Adonis! gaining momentum and altitude each time. The piano s surging accompaniment is very easily imagined for orchestra, but...
Journal Articles
19th-Century Music (2016) 40 (2): 81–105.
Published: 01 November 2016
... CENTURY MUSIC Plate 3: Teatro do Ginásio, end of the nineteenth century, image published in Brasil-Portugal, Revista quinzenal, 22 (16 December 1899), 11. the modestly priced tickets continued to make the space widely accessible to the city, and thus to a socially heterogeneous public. Impresario João...
Journal Articles
19th-Century Music (2016) 40 (2): 106–130.
Published: 01 November 2016
... the Identity Card: Of Grieg, Indians, and Women, this journal 31 (2008): 217 27. 7Hedda Høgåsen-Hallesby, Who are you, Peer?: Anniver- sary Postlude on Music, Text, and Identity Construction, in Music and Identity in Norway and Beyond, ed. Tho- mas Solomon (Bergen: Fagbokforlaget, 2011), 105 29, at...
Journal Articles
19th-Century Music (2016) 40 (2): 131–158.
Published: 01 November 2016
... spurred aesthetic change. When Alexander III, on 24 March 1882, abolished the exclusive right of the directorate of Imperial Theaters to organize public masquerades and concerts in St. Petersburg and Moscow, he authorized pri- vate entrepreneurs to offer entertainment with- out owing any share of their...