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waltz

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Journal Articles
19th-Century Music. 2015; 383193–218 doi: https://doi.org/10.1525/ncm.2015.38.3.193
Published: 01 March 2015
...David Larkin Despite its popularity with pianists, Liszt's first Mephisto Waltz (pub. 1862) has been largely glossed over in musicological studies. In this article, I reconsider the relationship between the piano piece and the excerpt from Lenau's Faust (pub. 1836) that inspired it, and I explore...
Journal Articles
19th-Century Music. 2014; 3813–29 doi: https://doi.org/10.1525/ncm.2014.38.1.003
Published: 01 July 2014
... premiere in Vienna, survive in performing materials still used at the beginning of the twentieth century. She also substituted the second-act finale of the opera with a virtuosic waltz by Luigi Ricci. This second modification was a telling instance of Tadolini's attention to the reaction of the Viennese to...
Journal Articles
19th-Century Music. 2012; 353165–181 doi: https://doi.org/10.1525/ncm.2012.35.3.165
Published: 01 March 2012
... persona in whose mind the music continues to unfold even as that persona brings the premises of the genre under scrutiny. In the Waltz in A♭, op. 42, for instance, a momentary interruption of the waltz beat, like the terminal interruption of the nocturne texture in the Nocturne in B, op. 32, no. 1...
Journal Articles
19th-Century Music. 2012; 362101–121 doi: https://doi.org/10.1525/ncm.2012.36.2.101
Published: 01 November 2012
...Sean M. Parr A vogue for coloratura dance arias began in the 1850s. This emerging genre combined melismatic singing with two hugely popular social dance genres: the bolero and the waltz. Scholars have observed an association between these social dances and a certain euphoric feminine sensuality...
Journal Articles
19th-Century Music. 2012; 353182–203 doi: https://doi.org/10.1525/ncm.2012.35.3.182
Published: 01 March 2012
...Charles Fisk Beginning with a personal account of my early experiences of Chopin's B-Minor Prelude and A-Minor Waltz, I argue that “musical meaning” arises neither simply from the music itself nor simply from a listener's or performer's self projections into the music. Instead it arises...
Journal Articles
19th-Century Music. 2020; 433170–193 doi: https://doi.org/10.1525/ncm.2020.43.3.170
Published: 01 March 2020
... (New York: Oxford University Press, 1997), 79. 26Charles Rosen, The Romantic Generation (Cambridge, MA: Harvard University Press, 1995), 87, 100, 48; Daverio, Robert Schumann, 87. JANET SCHMALFELDT Schumann and Unreliable Narrative 175 waltzes he had composed much earlier.27 Berthold Hoeckner reminds...
Journal Articles
19th-Century Music. 2020; 433194–208 doi: https://doi.org/10.1525/ncm.2020.43.3.194
Published: 01 March 2020
Journal Articles
19th-Century Music. 2019; 423184–224 doi: https://doi.org/10.1525/ncm.2019.42.3.184
Published: 01 April 2019
Journal Articles
19th-Century Music. 2018; 42130–52 doi: https://doi.org/10.1525/ncm.2018.42.1.30
Published: 01 July 2018
... tragic story in three acts?7 The first act (mm. 8 94) unveils a dire situation in the haunted rumination of a waltz-like theme, countered by a far-off vision bearing the aspect of a nocturne (mm. 68 82) and sealed to sleep by a berceuse (mm. 82 94). Act II launches a visceral action sequence, ignited by...
Journal Articles
19th-Century Music. 2018; 4213–29 doi: https://doi.org/10.1525/ncm.2018.42.1.3
Published: 01 July 2018
... Frédéric Chopin s Waltz in C Minor, op. 64, no. 2 (1847), was a longstanding staple of Arthur Rubinstein s repertoire. When the elderly pia- nist was asked how he could play the same waltz for more than seventy-five years, Rubin- stein was said to reply, Because it s not the same, and I don t play it the...
Journal Articles
19th-Century Music. 2017; 412151–179 doi: https://doi.org/10.1525/ncm.2017.41.2.151
Published: 01 November 2017
Journal Articles
19th-Century Music. 2017; 41175–92 doi: https://doi.org/10.1525/ncm.2017.41.1.75
Published: 01 July 2017
... -major waltz for Daisy Speranza (mixed doubles specialist) and a dramatic, texted orchestral finale for the Baron de S. Though Tennis devoted itself for the most part to reporting tournament statistics and other notable happenings, its attentiveness to the art world in general and the musical community...
Journal Articles
19th-Century Music. 2016; 402131–158 doi: https://doi.org/10.1525/ncm.2016.40.2.131
Published: 01 November 2016
... critics are wont to do, they praised one scene (the Waltz of the Snow Flakes, for example) and damned another (the turmoil, bustling, and running about of the battle of the mice and toys). But they also found flaws in the very conception of the ballet. Some protested that it qualified neither as...
Journal Articles
19th-Century Music. 2016; 402106–130 doi: https://doi.org/10.1525/ncm.2016.40.2.106
Published: 01 November 2016
... No. Key Title (Draft Title in Brackets) Character Genre 1. E Minor Resignasjon [Prelude/ Sehnsucht nach Julius ] Lok 2. B Major Scherzo-Impromptu [Impromptu] Halling 3. D Minor Nattlig Ritt Scherzo/Mephisto waltz 4. A Major Folketone [Stutarlaat fra Valdres] Badnlåt 5. F Minor Studie à la...
Journal Articles
19th-Century Music. 2016; 4017–19 doi: https://doi.org/10.1525/ncm.2016.40.1.7
Published: 01 July 2016
... works composed by Laura Hastings Hatch 1866 Zephyr Waltz 1867 Fairy Land Polka 1869 Battle of the Wilderness 1870 Pearly Wave: Waltz 1871 Souvenir de Memoire: Waltz Example 1: Laura Hastings Hatch, Battle of the Wilderness (Boston: Oliver Ditson & Co., ca. 1869), mm. 86 114...
Journal Articles
19th-Century Music. 2015; 392142–166 doi: https://doi.org/10.1525/ncm.2015.39.2.142
Published: 01 November 2015
... of the apparatus of the telegraph were now imbued with implications for music. Sounds of the Telegraph: A Langue Universelle ? In 1857 Johann Strauss II celebrated his return to Pawlowsk (just outside St. Petersburg) with the performance of a newly composed waltz entitled Telegrafische Depeschen...
Journal Articles
19th-Century Music. 2015; 39156–79 doi: https://doi.org/10.1525/ncm.2015.39.1.56
Published: 01 July 2015
Journal Articles
19th-Century Music. 2015; 383303 doi: https://doi.org/10.1525/ncm.2015.38.3.303
Published: 01 March 2015
... Early Twentieth Century 169 Knust, Martin Music, Drama, and Sprechgesang: About Richard Wagner s Creative Process 219 Larkin, David Dancing to the Devil s Tune: Liszt s Mephisto Waltz and the Encounter with Virtuosity 193 Leistra-Jones, Karen Improvisational Idyll: Joachim s Presence and Brahms s...
Journal Articles
19th-Century Music. 2015; 383272–301 doi: https://doi.org/10.1525/ncm.2015.38.3.272
Published: 01 March 2015
Journal Articles
19th-Century Music. 2014; 382115–144 doi: https://doi.org/10.1525/ncm.2014.38.2.115
Published: 01 November 2014