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volkston

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Journal Articles
19th-Century Music. 2013; 3713–36 doi: https://doi.org/10.1525/ncm.2013.37.1.3
Published: 01 July 2013
... modality double tonic aesthetics Volkston 3MATTHEW GELBART Mendelssohn s Scotland 19th-Century Music, vol. 37, no. 1, pp. 3 36 ISSN: 0148-2076, electronic ISSN 1533-8606. © 2013 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to...
Journal Articles
19th-Century Music. 2013; 3713–36 doi: https://doi.org/10.1525/ncm.2013.37.3.3
Published: 01 July 2013
... modality double tonic aesthetics Volkston 3MATTHEW GELBART Mendelssohn s Scotland 19th-Century Music, vol. 37, no. 1, pp. 3 36 ISSN: 0148-2076, electronic ISSN 1533-8606. © 2013 by the Regents of the University of California. All rights reserved. Please direct all requests for permission to...
Journal Articles
19th-Century Music. 2006; 301065–080 doi: https://doi.org/10.1525/ncm.2006.30.1.065
Published: 01 July 2006
... expression of human experience. Heine distrusted any claims on poetic truth as a way of life and as a way of apprehending the world. His parodies were not only an indict- ment of Romantic poetry but also aimed at its very core the Volkston. While Achim von Arnim and Clemens Brentano had collected the folk...
Journal Articles
19th-Century Music. 2005; 283185–213 doi: https://doi.org/10.1525/ncm.2005.28.3.185
Published: 01 March 2005
... appeared to be intriguingly old or timeless, so much the better. Playing on the Enlightenment antithesis between civilization and nature, Herder was particularly drawn to the immediate and spontaneous, which he found embodied in a poetic style that came to be known as im Volkston (in the style of the...
Journal Articles
19th-Century Music. 2004; 273208–229 doi: https://doi.org/10.1525/ncm.2004.27.3.208
Published: 01 March 2004
...; it is, as it were, a costume drama. The theme of its re- frain is intentionally simple, an evocation of the Volkston (if that term may be used to refer to the music of an Italian composer), a kind of stilo antico stand-in for the lyrical melody that would stand in its place in a more up-to-date...
Journal Articles
19th-Century Music. 1997; 212134–148 doi: https://doi.org/10.2307/746895
Published: 01 October 1997
... Walter Frisch in "Schubert's NÄhe des Geliebten (D. 162): Transformation of the Volkston," in Schubert: Critical and Analytical Studies, ed. Walter Frisch (Lincoln, Neb., 1986), pp. 175- 99 Frisch Schubert's NÄhe des Geliebten (D. 162): Transformation of the Volkston 175 Schubert: Critical and...
Journal Articles
Journal Articles
19th-Century Music. 1998; 213247–273 doi: https://doi.org/10.2307/746824
Published: 01 April 1998
Journal Articles
19th-Century Music. 1991; 152132–150 doi: https://doi.org/10.2307/746368
Published: 01 October 1991
... Poetry and Poetics 1974 Ellen T. Harris, Handel and the Pastoral Tradition (London, 1980), pp. 1-15 Harris 1 Handel and the Pastoral Tradition 1980 12 Johann Abraham Peter Schulz, preface to Lieder im Volkston, vol. I (2nd edn. Berlin, 1785) Schulz 2 I Lieder im Volkston 1785...