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Journal Articles
19th-Century Music. 2014; 3813–29 doi: https://doi.org/10.1525/ncm.2014.38.1.003
Published: 01 July 2014
...Claudio Vellutini Gaetano Donizetti's L'elisir d'amore was subjected to a series of substantial modifications after its premiere in 1832. In this article I focus on the performing tradition of the opera in Vienna. The history of these performances and their reception allow us to examine the...
Journal Articles
19th-Century Music. 1995; 183257–276 doi: https://doi.org/10.2307/746687
Published: 01 April 1995
... Mahler 123 Gustav Mahler: Memories and Letters 1946 Harold C. Schonberg, The Great Conductors (New York, 1967), pp. 232-35 Schonberg 232 The Great Conductors 1967 3 Steven Beller, Vienna and the Jews 1867-1938: A Cultural History (Cam- bridge, 1989), esp. pp. 188-206 Beller 188...
Journal Articles
19th-Century Music. 1993; 172107–123 doi: https://doi.org/10.2307/746329
Published: 01 October 1993
... 10.2307/746200 159 9 Carl E. Schorske, "Politics and the Psyche: Schnitzler and Hofmannsthal," in Fin-de-Siëcle Vienna: Politics and Culture (New York, 1981), pp. 5-10 Schorske Politics and the Psyche: Schnitzler and Hofmannsthal 5 Fin-de-Siäcle Vienna: Politics and Culture 1981 Albert...
Journal Articles
19th-Century Music. 1990; 133193–206 doi: https://doi.org/10.2307/746447
Published: 01 April 1990
... Georg August Griesinger's Correspondence with Breitkopf & HÄrtel 5 3 Haydn Yearbook 1965 Count Moritz von Fries on 5 April 1799 Concert Life in Haydn's Vi- enna: Aspects of a Developing Musical and Social Institu- tion (Stuyvesant, N.Y., 1989), p. 392 392 Concert Life in Haydn's Vienna...
Journal Articles
19th-Century Music. 2019; 423225–248 doi: https://doi.org/10.1525/ncm.2019.42.3.225
Published: 01 April 2019
... scarred by the unhealthy sexual climate of the bars. I argue that cultural-intellectual contexts in fin-de-siècle Vienna influenced Brahms’s attempts to shape his biographical narratives and that both models could have originated with Brahms himself. From Paolo Mantegazza’s sexology treatises to Hermann...
Journal Articles
19th-Century Music. 2016; 402159–181 doi: https://doi.org/10.1525/ncm.2016.40.2.159
Published: 01 November 2016
... and ethnographer Karel Jaromír Erben, this piece features a much more abstract program and depicts the life, travails, and ultimate victory of a Slavonic bardic hero, assumed by many to be the composer himself. It premiered in late 1898 and early 1899 in Vienna and Prague, respectively, inviting...
Journal Articles
19th-Century Music. 2018; 413206–224 doi: https://doi.org/10.1525/ncm.2018.41.3.206
Published: 01 March 2018
... Julius Stockhausen (1826–1906) will be explored, as well as the responses of his audiences, collaborators, and critics. The circumstances surrounding the first complete performance in Vienna's Musikverein on 4 May 1856, more than three decades after the cycle was composed in 1823, will be traced. A...
Journal Articles
19th-Century Music. 2015; 383272–301 doi: https://doi.org/10.1525/ncm.2015.38.3.272
Published: 01 March 2015
... librettist acknowledging their debt to Die Fledermaus.12 Another was cin- ema: the plot of Hofmannsthal s fairy tale romance would not have been out of place in a contemporary Babelsberg romantic comedy.13 In Das goldene Herz (ca. 1927), for example, a hard-headed businessman from Berlin goes to Vienna the...
Journal Articles
19th-Century Music. 2009; 332110–150 doi: https://doi.org/10.1525/ncm.2009.33.2.110
Published: 01 November 2009
...Nicholas Mathew This article argues for a number of hitherto unrecognized continuities——stylistic, aesthetic, and ideological——between Beethoven's marginalized ““political music”” from the period of the Congress of Vienna and his canonical symphonic works. It rereads his œœuvre against the...
Journal Articles
19th-Century Music. 2011; 35172–89 doi: https://doi.org/10.1525/ncm.2011.35.1.72
Published: 01 July 2011
... the time of the creation of Mahler s work was the poem Das klagende Lied by Martin Greif (a pseudonym for Friedrich Hermann Frey), a dramatic rendition of which was performed by a student drama group at the Vienna Conservatory in 1876; some sources in the literature on Mahler s work point to the Greif...
Journal Articles
19th-Century Music. 2020; 433143–169 doi: https://doi.org/10.1525/ncm.2020.43.3.143
Published: 01 March 2020
... Erlebnis (Bonn: Verlag Beethoven-Haus, 2015), 89. 3For poetic tributes of 1827 that emphasized Beethoven s heavenly journey, see Christopher H. Gibbs, Performances of Grief: Vienna s Response to the Death of Beethoven, in Beethoven and His World, ed. Scott Burnham and Michael P. Steinberg (Princeton...
Journal Articles
19th-Century Music. 2020; 433194–208 doi: https://doi.org/10.1525/ncm.2020.43.3.194
Published: 01 March 2020
Journal Articles
19th-Century Music. 2019; 432121–139 doi: https://doi.org/10.1525/ncm.2019.43.2.121
Published: 01 November 2019
... s preferred posture. 16Rode, Kreutzer, Baillot, Méthode de Violon, 163. 17Louis Spohr, Violinschule (Vienna: Haslinger, n.d. [1833 P[ierre] Baillot, L Art du violin: Nouvelle méthode (Mainz and Antwerp: Schott, n.d. [1835 On Baillot s reference to the eighteenth century, see Camilla Bork, Das Hör...
Journal Articles
19th-Century Music. 2019; 43299–120 doi: https://doi.org/10.1525/ncm.2019.43.2.99
Published: 01 November 2019
... Musikhistorikers (Vienna: Universal-Edition, 1935), 32. 28David Ramsey Hay, Proportion, or the Geometric Principle of Beauty Analysed (Edinburgh and London: Blackwood and Sons, 1843), i. 29See Hay, The Laws of Harmonious Colouring (Edinburgh: William and Robert Chambers, 1828), and The Science of Beauty (Edinburgh...
Journal Articles
19th-Century Music. 2019; 43286–98 doi: https://doi.org/10.1525/ncm.2019.43.2.86
Published: 01 November 2019
... L Été) can thus be understood as subgenres in their own right: family types rather than stable, individual pieces 26Gerhard Nierhaus, Algorithmic Composition: Paradigms of Automated Music Generation (Vienna: Springer, 2009). 27A notable example in this context are popular Adventure games of the...
Journal Articles
19th-Century Music. 2019; 43117–37 doi: https://doi.org/10.1525/ncm.2019.43.1.17
Published: 01 July 2019
... hear the messa di voce of soprano Girolamo Crescentini in Vienna in 1804.12 Stendhal (Henri Marie Beyle) considered soprano Giovanni Battista Velluti to be the modern day singer prince in his 1824 La Vie de Rossini and added that only soprano Filippo Sassaroli (court singer 10Die Teutsche Merkur is...
Journal Articles
19th-Century Music. 2019; 43138–60 doi: https://doi.org/10.1525/ncm.2019.43.1.38
Published: 01 July 2019
..., 2 vols. [Vienna: 1869 70] (New York, 1979), vol. 1, 370, who grumbled that in this effem- inizing, indolent atmosphere [of virtuosity], serious lovers of art were left unsatisfied, cited in Dana Gooley, The Battle against Instrumental Virtuosity in the Early Nineteenth Century, in Franz Liszt...
Journal Articles
19th-Century Music. 2006; 293289–321 doi: https://doi.org/10.1525/ncm.2006.29.3.289
Published: 01 March 2006
...K. Knittel "Polemic in the Concert Hall": the title of Richard Heuberger's article in the Neue freie Presse refers in no uncertain terms to the uproar surrounding Mahler's performances of Beethoven's Ninth Symphony in Vienna. The two performances, on 18 and 22 February 1900, used Mahler's own...
Journal Articles
19th-Century Music. 2019; 423157–183 doi: https://doi.org/10.1525/ncm.2019.42.3.157
Published: 01 April 2019
... Heinrich Kreißle von Hellborn, Franz Schubert (Vienna: Carl Gerold s Sohn, 1865), 135, 136, 142, 437. Although officially of amateur status (having not made his main career in music or the theater, but as a bureaucrat with a noble title), Schönstein did perform in both private and public concerts. The...
Journal Articles
19th-Century Music. 2018; 42296–122 doi: https://doi.org/10.1525/ncm.2018.42.2.96
Published: 04 December 2018
... (1891)18 disappointed most of the press, Werther19 premiered with suc- cess the following year at the Vienna Hofoper and confirmed Massenet s international stature. At the same time, while his works were being welcomed in theaters the world over,20 he was made a Chevalier in the Légion d honneur (1875...