1-20 of 376 Search Results for

united-states

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Articles
19th-Century Music. 2014; 38179–112 doi: https://doi.org/10.1525/ncm.2014.38.1.079
Published: 01 July 2014
... challenging it through music, Britten, who had just returned to England from the United States, invested Serenade with the potential to present the world of prewar England as embattled. © 2014 by the Regents of the University of California 2014 Britten Serenade anthology pastoralism genre 79...
Journal Articles
19th-Century Music. 2012; 362146–158 doi: https://doi.org/10.1525/ncm.2012.36.2.146
Published: 01 November 2012
... popular and lucrative pieces, it was composed during a time of relative discontent and melancholy. In the mid-1860s, he was traveling across the Civil War-torn United States on a gruelingly unrelenting schedule. Gottschalk's composition The Dying Poet can be viewed as a poignant paradox—a simultaneous...
Journal Articles
19th-Century Music. 2004; 28150–76 doi: https://doi.org/10.1525/ncm.2004.28.1.50
Published: 01 July 2004
... Fokine's 1907 scenario. These materials are scattered across the globe, preserved in libraries and museums in Russia, Sweden, France, England, and the United States. They compose less a ballet, even the archival detritus of a ballet, than a haunting absence. This article assembles all of these materials in...
Journal Articles
19th-Century Music. 2019; 43267–85 doi: https://doi.org/10.1525/ncm.2019.43.2.67
Published: 01 November 2019
... respond to the American Revolu- tion, facing the dilemma of taking an imperial power into an anti-colonial war by pursuing exclusively Spanish interests without allying directly with the United States and without rec- ognizing American independence. 42 Allied with France, Spain then engaged in a war with...
Journal Articles
19th-Century Music. 2019; 43299–120 doi: https://doi.org/10.1525/ncm.2019.43.2.99
Published: 01 November 2019
... organi- zation of sound that differentiated musical com- position from the disordered sounds of nature; second, to the specifying factor in auditory sensa- tions by which music could depict, or otherwise objectify emotional states (in the spirit of Franz Brendel s future neudeutsche Schule, and not...
Journal Articles
19th-Century Music. 2019; 43286–98 doi: https://doi.org/10.1525/ncm.2019.43.2.86
Published: 01 November 2019
.... However, as the cards can be reshuffled freely within their slots, they form a grid-like map of musical mate- rial that can be traversed inmultipleways. Thus, by constituting a collection of interchangeable, separable units instead of a predefined piece, the Quadrille Melodist evades the traditional...
Journal Articles
19th-Century Music. 2019; 43117–37 doi: https://doi.org/10.1525/ncm.2019.43.1.17
Published: 01 July 2019
... impersonators—all of whom were both implicitly and explicitly compared to one another. Both the tenors and the falsettists bore an uncomfortable, even ridiculous, perceptual proximity to the epicene, effeminate, always/already maimed state of the castrato, under the regulation of an anxious version of the male...
Journal Articles
19th-Century Music. 2019; 423184–224 doi: https://doi.org/10.1525/ncm.2019.42.3.184
Published: 01 April 2019
... other com- posers, such as the Allegretto of Beethoven s Seventh Symphony, where the opening theme is restated four times while the texture and orchestration are varied. It is true that the repeated unit in Kamarinskaia is much shorter than in most of these precedents, and its repeti- tion is more...
Journal Articles
19th-Century Music. 2018; 42273–95 doi: https://doi.org/10.1525/ncm.2018.42.2.73
Published: 04 December 2018
... California Press s Reprints and Permissions web page, httpwww.ucpress.edu/ journals.php?p=reprints. httpsdoi.org/10.1525/ncm.2018.42.2.73. 73 Reminding his audience that this myste- rious entity presumed to be the folk was many-minded, Jacobs states and restates a radical claim: When we come to realise...
Journal Articles
19th-Century Music. 2018; 42296–122 doi: https://doi.org/10.1525/ncm.2018.42.2.96
Published: 04 December 2018
... particular. But in spite of some productions given abroad,61 Esclar- monde disappeared rapidly from theaters after having aroused bitter debates in the French press,62 for this work was supposed to serve as a sort of report on the state of French lyric art confronted by Wagnerian hegemony.63 The score, which...
Journal Articles
19th-Century Music. 2018; 42153–70 doi: https://doi.org/10.1525/ncm.2018.42.1.53
Published: 01 July 2018
... heightened state of tragic rapture unfamiliar to the Apolline world of ancient plate or the distribution and speed of the bow. See Jonathan Sterne, The Audible Past: Cultural Origins of Sound Re- production (Durham: Duke University Press, 2003), 43 45. While Nietzsche s reference to Chladni s scientific...
Journal Articles
19th-Century Music. 2018; 4213–29 doi: https://doi.org/10.1525/ncm.2018.42.1.3
Published: 01 July 2018
... indeed, are integral to the transductive operations by which signals are construed as such. When zooming into the image of a lattice on a fixed-pixel display and thereby navigating the continuum that con- nects and separates the states of grid and filter, visual artifacts emerge as the distinction be...
Journal Articles
19th-Century Music. 2018; 413225–251 doi: https://doi.org/10.1525/ncm.2018.41.3.225
Published: 01 March 2018
... Carroccio was published in New York and focused on Italian culture, propaganda, and defense in America (as stated in the mast- head). Maurel recalls that he offered to sing Tonio and accepted a longstanding invitation to sing at the Dal Verme only under the condition that the theater produce Leoncavallo s...
Journal Articles
19th-Century Music. 2017; 412121–150 doi: https://doi.org/10.1525/ncm.2017.41.2.121
Published: 01 November 2017
... Prévost, Sténographie musicale ou art de suivre l exécution musicale en écrivant (Paris: Prévost-Crocius, 1833), 2 ( rivaliser de rapidité avec l inspiration All trans- lations are my own unless otherwise stated. 5Music stenographies consulted in the preparation of this article are listed in the Appendix...
Journal Articles
19th-Century Music. 2017; 412151–179 doi: https://doi.org/10.1525/ncm.2017.41.2.151
Published: 01 November 2017
... of Mozart, especially Die Zauberflöte, but also Don Giovanni and Le nozze di Figaro. Like Don Giovanni, Faust is a musical amphibian, changing in response to the dramatic events and his inner psychological state. Busoni writes that Goethe s version of Faust in and of itself was ideal for an...
Journal Articles
19th-Century Music. 2017; 41131–47 doi: https://doi.org/10.1525/ncm.2017.41.1.31
Published: 01 July 2017
... society stemmed from a disconnect between Spain s sociopolitical elites and el pueblo, the Spanish people. Regenerationism accelerated after Spain s disastrous defeat at the hands of the United States in 1898. Losing the Spanish- American War was widely blamed on the cor- rupt and sclerotic government...
Journal Articles
19th-Century Music. 2017; 41175–92 doi: https://doi.org/10.1525/ncm.2017.41.1.75
Published: 01 July 2017
... gestures. Lalo went further, however, suggesting that the topic of tennis never once arose choreographically: Various admirers of Nijinsky s choreography have stated that this choreography stylizes sportive ges- tures, and that this constitutes its meaning and value. But in Jeux, we do not see a single...
Journal Articles
19th-Century Music. 2017; 403201–222 doi: https://doi.org/10.1525/ncm.2017.40.3.201
Published: 01 March 2017
... its deceptive depths), Sarah Hibberd for helpful discussions on the phantasmagoric, and Ceri Owen and the other contributors to this issue for their thoughts and comments on this piece. All translations are my own unless stated otherwise. © 2017 by the Regents of the University of California. All...
Journal Articles
19th-Century Music. 2016; 402182 doi: https://doi.org/10.1525/ncm.2016.40.2.182
Published: 01 November 2016
... of music in Europe and the United States, with a particular focus on the eighteenth and nineteenth centuries. With Rebekah Ahrendt and Mark Ferraguto, he is the co-editor of Music and Diplomacy from the Early Modern Era to the Present (Palgrave Macmillan, 2014). ...
Journal Articles
19th-Century Music. 2016; 402131–158 doi: https://doi.org/10.1525/ncm.2016.40.2.131
Published: 01 November 2016
..., choreographed the outdoor ballet for the state visit of the German emperor in 1897, when ballerina Mathilde Kschessinska made a notable entrance on a mirror pulled by underwater cables, giving the impression that she glided on water.31 All the while, competi- tion with foreign ballets and new productions...