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uncanny-0

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Journal Articles
19th-Century Music (2017) 41 (1): 48–74.
Published: 01 July 2017
... ll eg ro (1 88 2) /A n im é (1 88 3) , l oo se ly b as ed o n o pe n in g th em es R ep la ce d by 1 27 2 9. (S ee e x. 7 ) 13 0 37 37 4 6. N ew m at er ia l o ve r ex pa nd ed G (V / V ); fu nc ti on s as t ra ns it io n. 7 7 47 6 4. L ov e th em e pl ay ed b y vi ol as a nd c el lo s in C m...
Journal Articles
19th-Century Music (2011) 35 (1): 3–33.
Published: 01 July 2011
... object in this case, the speaker s tears. One might won- der whether this is meant to be uncanny, the first signal of the wanderer s mental instabil- ity. But in this poem the addressee, the wanderer s tears, is a synecdoche for himself; his inquisition is self-directed. This apostrophe to the product of...
Journal Articles
19th-Century Music (2009) 33 (2): 81–109.
Published: 01 November 2009
.... Donizetti and Cammarano deemphasized some of the more obvious gothic aspects of their source to focus on the figure of Maria herself a woman, it seems, who just cannot die. The plot of Maria de Rudenz is structured around the uncanny resurrections of its hero- ine. Maria avoids her first tomb before the ac...
Journal Articles
19th-Century Music (2007) 31 (1): 053–095.
Published: 01 July 2007
Journal Articles
19th-Century Music (2006) 30 (1): 004–043.
Published: 01 July 2006
Journal Articles
19th-Century Music (2005) 29 (2): 161–184.
Published: 01 November 2005
... 26 (c f. 1 0) 27 28 29 11 30 31 12 32 33 # # 13 34 k rä ft ig ff 35 36 37 38 N ew F or m o f P ro ph ec y m ot iv e m it St ei ge ru n g Fi gu re 1 : F or m...
Journal Articles
19th-Century Music (2004) 27 (3): 230–262.
Published: 01 March 2004
... set, where C = 0 and the letters T and E represent the numbers 10 and 11. 16 Inflected repetition i.e., repetition of a musical seg- ment with one or more pitches altered by a semitone is common in Liszt s music. The technique is examined from various perspectives in Ramon Satyendra, Conceptualising...
Journal Articles
19th-Century Music (2002) 26 (1): 94–110.
Published: 01 July 2002
... and death dates of contempo- rary musicians. The List of Works is classi- Ž ed and laid out with elegance and precision, with due attention paid to unŽ nished works. (There is now a Symphony No. 0 in C, 3On this aspect of Beethoven s art, see Nicholas Marston s essay The Sense of an Ending...
Journal Articles
19th-Century Music (2000) 24 (1): 3–20.
Published: 01 July 2000
... ideal de- sired by the ego.'0 For Freud, narcissism in men involves a combination of homosexuality (if one takes oneself as the model when seeking out a love-object) and Oedipal desire (if one takes one's mother-the original love-object, identified by the infant with the self-as the model). Incest...
Journal Articles
19th-Century Music (1999) 22 (3): 233–267.
Published: 01 April 1999
... material of the song, or near indifference, as if one need not wonder that Mahler would cut a movement from what would remain his longest symphony even after this pruning.'0 Taking into account his subse- quent urgency to proceed with a Fourth Sym- phony that would ground the ironies of his orchestral Lied...
Journal Articles
19th-Century Music (1998) 21 (3): 297–324.
Published: 01 April 1998
... 1976 76 Kramer, Music as Cultural Practice, p. 203. Kramer 203 Music as Cultural Practice 77 Krims, "Bloom, Post- Structuralism(s), and Music Theory," Music Theory Online 0/11 (1994) Krims Bloom, Post-Structuralism(s), and Music Theory Music Theory Online 1994 Straus "Post...
Journal Articles
19th-Century Music (1997) 21 (2): 208–222.
Published: 01 October 1997
..., Piano Sonata in A Major, D. 959, movt. II, mm. 59-76. S. fff --i -e p. l lll. li Ji i-s -- i - 0 - .. . ci ft t " N N N N N fff v~Lo ~lfff Example 4: Schubert, String Quintet in C, D. 956, conclusion. monic relation by resolving the half tone to the tonic C, the earlier corresponding unison ges- ture...
Journal Articles
19th-Century Music (1997) 21 (2): 111–133.
Published: 01 October 1997
...: e1s n h' d ina n d P 0 s/ 'V ~~4'; ' ii~r Plate 1: B-Minor Symphony, published by Spina (1867). Courtesy of the Music Division, New York Public Library for the Performing Arts, Astor, Lenox, and Tilden Foundations. 119 19TH CENTURY MUSIC From this, it is evident...
Journal Articles
19th-Century Music (1997) 21 (1): 3–37.
Published: 01 July 1997
... useful book Heine: Buch der Lieder (London, 1960), pp. 36-40 Prawer 36 Heine: Buch der Lieder 1960 Otto Rank's The Double, trans. Harry Tucker, Jr. (Chapel Hill, 1971) Rank The Double 1971 Freud's essay "The Uncanny," in Freud, Studies in Parapsychology, ed. Philip Rieff (New York...
Journal Articles
19th-Century Music (1995) 19 (2): 191–211.
Published: 01 October 1995
... the curse, imprisoned in a paranormal aura with visible and audible traces that mark his ship and even follow him on land. The opening stage direction in act III draws attention to the unheimlicher Kontrast (uncanny contrast) between Daland's ship and that of the Flying Dutchman, the former brightly...
Journal Articles
19th-Century Music (1995) 19 (1): 3–30.
Published: 01 July 1995
...-1.1- 1-11- 11 . , ?. . ? ".M ,11 . ., - -, . . . ? . . -4, I - ?0 1:11'. i . , l?1'10 1 t? t, Z , ;? . ? .. . .- . , . . . ? .. ?. . - I . .. .. I . .. .. X - I ? :i:A .. . . ?- 4i. , . . . - ? I- ?, H ?Q , ,: , , i., xb?? , ,, . : I.- I- e ? v .-I . I . ?N M . 1 . - kl. ,: ,I , , -, l' '' 1...
Journal Articles
19th-Century Music (1995) 19 (1): 31–49.
Published: 01 July 1995
... Friedrich August Kanne wrote for his Orpheus, eine grosse Oper in zwey Aufziigen (Vienna, 1807), and Beethoven's An- dante con moto (first performed in 1807), in which many lines from the libretto of Kanne's first-act finale fit Beethoven's music in a most uncanny way. I remarked then that "we cannot know...
Journal Articles
19th-Century Music (1993) 16 (3): 286–302.
Published: 01 April 1993
... dis- coursed about-indeed, who may not exist at all except as a catchphrase.'0 Professional dis- course can be, and often is, an instrument of idealization after the fact. As a discourse of en- trenched power it is conservative. It is seldom where the cultural action is. Public discourse, on the other...
Journal Articles
19th-Century Music (1990) 14 (2): 197–216.
Published: 01 October 1990
... C. Tusa, "Weber's Grofie Oper: A Note on the Origins of Euryan- the," this journal 8 (1984), 119-24. 203 19TH CENTURY MUSIC Largo -- clar. Fr -- p Jl .[J , COUNT:, v.- 0iHi :.b ! ," ' r r ," I F r , 0 Him-mel Kannst.du mir so freund- lich IAch" eln? . . , , , oFA ., .. .. Example 4: Der Graf von...
Journal Articles
19th-Century Music (1989) 12 (3): 221–230.
Published: 01 April 1989
... tradition of Hegelian musical aesthetics, and the neo-Hegelian tradition of musical hermeneuticists like Kretschmar (whom Asaf'ev occasionally cites). 224 a. Tpt. A vI , k I 1 , -_81rk-i RL 1-0 Hn. Cb. Ww., Str. o'- ML.ll+ l l ' I n F]i if i i+ - .iRi~ dal4 A 11g i JLAIId 0A1 l IVI v F -1 d +. . . Bsn S t...