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transformational

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Journal Articles
19th-Century Music. 2013; 37137–55 doi: https://doi.org/10.1525/ncm.2013.37.1.37
Published: 01 July 2013
... centuries ago, it was also a social phenomenon. As such, grand opera's appropriation of historical subjects depended on new social spaces formed by new patterns in text production and consumption. When these spaces first emerged, historical grand opera became socially feasible, and as they were transformed...
Journal Articles
19th-Century Music. 2013; 37137–55 doi: https://doi.org/10.1525/ncm.2013.37.3.37
Published: 01 July 2013
... centuries ago, it was also a social phenomenon. As such, grand opera's appropriation of historical subjects depended on new social spaces formed by new patterns in text production and consumption. When these spaces first emerged, historical grand opera became socially feasible, and as they were transformed...
Journal Articles
19th-Century Music. 2011; 35293–114 doi: https://doi.org/10.1525/ncm.2011.35.2.93
Published: 01 November 2011
...Lynn M. Sargeant Russia's social and economic transformation at the beginning of the twentieth century was accompanied by profound cultural and artistic transformation. In particular, Russian cultural elites struggled to control and contain what they saw as threats to Russia's national culture. At...
Journal Articles
19th-Century Music. 2018; 413183–205 doi: https://doi.org/10.1525/ncm.2018.41.3.183
Published: 01 March 2018
..., and opera institutions aimed at historically informed, “authentic” productions of these operas. This article shows that the attempts to transform Mozart's operas into autonomous artworks, artworks that would faithfully reflect the unique vision of their creator and not succumb to changing audience...
Journal Articles
19th-Century Music. 2008; 322178–208 doi: https://doi.org/10.1525/ncm.2008.32.2.178
Published: 01 November 2008
..., with the aid of analysis and hermeneutics, drawing on transformational theory, familiar concepts from narratology, and Proustian notions of memory. In short, the article deploys discourses anathema to Jankééléévitch for decidedly Jankééléévitchian ends. The conclusion explores the degrees to which such...
Journal Articles
19th-Century Music. 2020; 433194–208 doi: https://doi.org/10.1525/ncm.2020.43.3.194
Published: 01 March 2020
... her voice as both a metaphor and a pure, uncanny (unheim- lich) phenomenological entity is transformed throughout various literary and operatic depic- tions. How does Salome, through voicing, transgress and fashion Self (and indeed manip- ulate and destroy the self/other binary), seduce other...
Journal Articles
19th-Century Music. 2020; 433143–169 doi: https://doi.org/10.1525/ncm.2020.43.3.143
Published: 01 March 2020
Journal Articles
19th-Century Music. 2019; 43267–85 doi: https://doi.org/10.1525/ncm.2019.43.2.67
Published: 01 November 2019
... style, it retains aspects of obsession perhaps calculated to be attractive to themaniático by taking the initial semitone trill and transforming it into a diatonic descending motif, thrice repeated (ex. 7, p. 80).54 He continues to play this highly repetitive mate- rial with the other celli throughout...
Journal Articles
19th-Century Music. 2019; 43286–98 doi: https://doi.org/10.1525/ncm.2019.43.2.86
Published: 01 November 2019
... musical methods such as theories of har- mony, form, and voice leading to his system. By doing so, he transformed his personal knowledge into a technologically embodiedknowledge inde- pendent from his own ability to carry out the needed work. However, his use of mathematics fell short of nineteenth...
Journal Articles
19th-Century Music. 2019; 43299–120 doi: https://doi.org/10.1525/ncm.2019.43.2.99
Published: 01 November 2019
Journal Articles
19th-Century Music. 2019; 4313–16 doi: https://doi.org/10.1525/ncm.2019.43.1.3
Published: 01 July 2019
... Liebe for a new poem on this topic, and how the result would have been affectively sensible. We can imagine the reuse of this music for Mit Freuden with- out a radical transformation. Bach sometimes undertook those, as we know from a couple of famous examples,33 but not often, and he may thus have...
Includes: Multimedia, Supplementary data
Journal Articles
19th-Century Music. 2019; 43138–60 doi: https://doi.org/10.1525/ncm.2019.43.1.38
Published: 01 July 2019
... n y a jamais trouvé ni de ces éloges de complaisance dont le seul résultat est d induire en erreur, ni de ces critiques amères et personnelles qui, transformant en un organe de passion et d envie une publication destinée à éclairer ses lecteurs, la font tomber dans le mépris des gens de goût et dans...
Journal Articles
19th-Century Music. 2019; 423184–224 doi: https://doi.org/10.1525/ncm.2019.42.3.184
Published: 01 April 2019
... variation, and the dance tune is gradually transformed to resemble the wedding song. Once the transformation is complete, the wedding song itself returns and commences the second cycle, which consists of a modified version of the variation sequence in the first 5For example, this is the conception presented...
Journal Articles
19th-Century Music. 2019; 423157–183 doi: https://doi.org/10.1525/ncm.2019.42.3.157
Published: 01 April 2019
... seductress in this scene may tarnish this other- wise purely artistic vision of her as a nine- teenth-century amateur, it also adds an aura of intimacy to her approach. She sings only for herself and him. For the viewer, the Countess s transformation from a supposedly extreme beginner to a master of melodic...
Journal Articles
19th-Century Music. 2019; 423225–248 doi: https://doi.org/10.1525/ncm.2019.42.3.225
Published: 01 April 2019
Journal Articles
19th-Century Music. 2018; 422123–154 doi: https://doi.org/10.1525/ncm.2018.42.2.123
Published: 04 December 2018
... transformation across different political, social, and cultural contexts demands that we avoid essentializing sentimentalism. Howard especially urges a dismantling of the simplistic identification of sentimentality with nineteenth-century domestic ideology, to interrogate their relationship in order to recon...
Journal Articles
19th-Century Music. 2018; 42273–95 doi: https://doi.org/10.1525/ncm.2018.42.2.73
Published: 04 December 2018
Journal Articles
19th-Century Music. 2018; 42296–122 doi: https://doi.org/10.1525/ncm.2018.42.2.96
Published: 04 December 2018
Journal Articles
19th-Century Music. 2015; 39299–124 doi: https://doi.org/10.1525/ncm.2015.39.2.99
Published: 01 November 2015
... and materialism. The cost of a material mind was a perceived loss of contact with the “gifts of naturer … the dynamical nature of man … the mystic depths of man's soul” (Carlyle), but the concept of machine was also invested with magical potential to transform matter, to generate energy, and can be...
Journal Articles
19th-Century Music. 2015; 39135–55 doi: https://doi.org/10.1525/ncm.2015.39.1.35
Published: 01 July 2015
... work has focused primarily on what makes the ballet and music distinct instead of how the ballet might transform our reading of the music; but the Faune ballet is best identified as an adaptation of Debussy's music in which the music is made to tell Nijinsky's version of Debussy's story. As an...