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Journal Articles
19th-Century Music. 2014; 38153–78 doi: https://doi.org/10.1525/ncm.2014.38.1.053
Published: 01 July 2014
...Dragana Jeremić Molnar; Aleksandar Molnar In Aesthetic Theory Adorno refers to Schubert as “the mimic par excellence.” The connection between Adorno's conception of mimesis and his notion of Schubert has remained unexplored. In his essays “Schubert” and “Franz Schubert: Grand Rondo in A Major for...
Journal Articles
19th-Century Music. 2019; 432121–139 doi: https://doi.org/10.1525/ncm.2019.43.2.121
Published: 01 November 2019
...://www.ucpress.edu/journals/reprints-permissions . 2019 Stumpf tone violin theory pedagogy tune From Tone to Tune Carl Stumpf and the Violin JULIA KURSELL INTRODUCTION The first volume of Carl Stumpf s Tonpsycho- logie (Tone Psychology, 1883) opens with a con- fession. In my youth I passionately...
Journal Articles
19th-Century Music. 2010; 342186–207 doi: https://doi.org/10.1525/ncm.2010.34.2.186
Published: 01 November 2010
.... The relative immutability and persis- tence of the theme match the theory of sublim- ity to which Michaelis subscribed, a theory that depended on an idea of a transformative moment, traditionally described through the metaphor of a lightening bolt. Although fugues may not have offered the sudden bolts...
Journal Articles
19th-Century Music. 2019; 423225–248 doi: https://doi.org/10.1525/ncm.2019.42.3.225
Published: 01 April 2019
...Laurie McManus Unlike Wagner, Mahler, or Schoenberg, Johannes Brahms is often absent from discussions of Viennese fin-de-siècle psychological theories and their intersections with musical culture. The privileged context depicting an aging Brahms resistant to new trends in politics and the arts...
Journal Articles
19th-Century Music. 2014; 3813–29 doi: https://doi.org/10.1525/ncm.2014.38.1.003
Published: 01 July 2014
Journal Articles
19th-Century Music. 2020; 433211 doi: https://doi.org/10.1525/ncm.2020.43.3.211
Published: 01 March 2020
... and include, but are not limited to, topics in composition, performance, social and cultural context, analy- sis, music theory, critical theory, hermeneutics, aesthetics, documentary, archival, and edito- rial study, gender and sexuality, history, historiography, and film music. Articles should be...
Journal Articles
19th-Century Music. 2020; 433209 doi: https://doi.org/10.1525/ncm.2020.43.3.209
Published: 01 March 2020
... (2011) received a 2012 ASCAP Deems Taylor Award and the 2012 Wallace Berry Award from the Society for Music Theory. 19th Century Music, vol. 43, no. 3, p. 209. ISSN: 0148-2076, electronic ISSN: 1533-8606 © 2020 by The Regents of the University of California. All rights reserved. Please direct all...
Journal Articles
19th-Century Music. 2020; 433170–193 doi: https://doi.org/10.1525/ncm.2020.43.3.170
Published: 01 March 2020
... the University of California narrative literary theory Jean Paul Richter Heinrich Heine Robert Schumann Papillons , op. 2 Dichterliebe tonal pairing From Literary Fiction to Music: Schumann and the Unreliable Narrative JANET SCHMALFELDT If you, like me, are a lover of fiction, I...
Journal Articles
19th-Century Music. 2020; 433194–208 doi: https://doi.org/10.1525/ncm.2020.43.3.194
Published: 01 March 2020
... of opera that dances and foregrounds the body as a site of subjectivity. Tomlinson argues that with this move to bodilymateriality, Nietzsche puts forth a theory that the material world, including the body, is nothing other than the flux of . . . appearances. 4 With Carmen, an aesthetic and...
Journal Articles
19th-Century Music. 2020; 433143–169 doi: https://doi.org/10.1525/ncm.2020.43.3.143
Published: 01 March 2020
... theory. Typically, in reproducible arts like pho- tography, cult value gives way to exhibition value that is, when replicas are transported to other locations they are emancipated from the here and now that fetters cult objects to a ritual site. But the human face, Benjamin argues, retains its cult...
Journal Articles
19th-Century Music. 2012; 362122–135 doi: https://doi.org/10.1525/ncm.2012.36.2.122
Published: 01 November 2012
.... 8Linda Williams, Melodrama Revised, in Refiguring Ameri- can Film Genres: History and Theory, ed. Nick Browne (Berkeley: University of California Press, 1998), p. 42. 9Brooks, Melodramatic Imagination, p. 27. 10Ibid., p. 26. 11Ibid., pp. 41 42. 125 DAN WANG Melodrama, Two Ways the inner violence, the...
Journal Articles
19th-Century Music. 2019; 432141 doi: https://doi.org/10.1525/ncm.2019.43.2.141
Published: 01 November 2019
... in composition, performance, social and cultural context, analy- sis, music theory, critical theory, hermeneutics, aesthetics, documentary, archival, and edito- rial study, gender and sexuality, history, historiography, and film music. Articles should be submitted electronically as Word files; these...
Journal Articles
19th-Century Music. 2019; 43263–66 doi: https://doi.org/10.1525/ncm.2019.43.2.63
Published: 01 November 2019
..., these articles in this collection adopt a strictly historical approach, seeking out histor- ical witnesses to the break with idealism rather than rearticulating recent disciplinary orienta- tions toward new theories of matter, vibrant or otherwise.4 1Mark Evan Bonds, Music as Thought: Listening to the...
Journal Articles
19th-Century Music. 2019; 432140 doi: https://doi.org/10.1525/ncm.2019.43.2.140
Published: 01 November 2019
... Humanities and Sciences of the University of Amsterdam. Her book Epistemology of Hearing: Hermann von Helmholtz s Foundations of Music Theory came out with Fink/Brill in 2018. Peter Pesic is musician-in-residence and director of the Science Institute at St. John s College in Santa Fe, New Mexico. In recent...
Journal Articles
19th-Century Music. 2019; 43299–120 doi: https://doi.org/10.1525/ncm.2019.43.2.99
Published: 01 November 2019
... of like effects upon like causes a reg- ular consequence in the field of our sensations.11 The value placed here on likeness between sensation and sign indicates that it was Helmholtz s early theory of signs that serves as the platform on which this later quest for objec- tivity stood. Recall...
Journal Articles
19th-Century Music. 2019; 43267–85 doi: https://doi.org/10.1525/ncm.2019.43.2.67
Published: 01 November 2019
... journal 29 (2006): 211 39, who acknowledges Ralph Locke for this information (214n.14). 3The most detailed treatment to date is Blake Howe, Music and the Agents of Obsession, Music Theory Spectrum 38 (2017): 218 40. See also Virginia Georgallas, The Maniac s Affliction: Music, Madness, and Caprice in...
Journal Articles
19th-Century Music. 2019; 43286–98 doi: https://doi.org/10.1525/ncm.2019.43.2.86
Published: 01 November 2019
... mechanisms. Drawing on the history of rule-based musical systems, Clinton s method constituted an attempt at mechanizing the compositional process using the theories and technologies of the Victorian era. In hindsight, it can be read as a statement against the idealist impulse of the early nineteenth century...
Journal Articles
19th-Century Music. 2011; 35134–71 doi: https://doi.org/10.1525/ncm.2011.35.1.34
Published: 01 July 2011
... Rosalind Wong for their comments on earlier drafts of this article. I am also grateful for the feedback from the audiences who attended presentations of this paper at the seventy-sixth annual meeting of the American Musicological Society (6 November 2010) and the tenth Conference on Feminist Theory and...
Journal Articles
19th-Century Music. 2019; 43162 doi: https://doi.org/10.1525/ncm.2019.43.1.62
Published: 01 July 2019
... not limited to, topics in composition, performance, social and cultural context, analy- sis, music theory, critical theory, hermeneutics, aesthetics, documentary, archival, and edito- rial study, gender and sexuality, history, historiography, and film music. Articles should be submitted electronically...
Journal Articles
19th-Century Music. 2019; 43138–60 doi: https://doi.org/10.1525/ncm.2019.43.1.38
Published: 01 July 2019
... Music criticism reception theory propaganda media studies aesthetics 38 One aspect of reception history of which the study of music criticism is a part involves a tacit interplay between modern and historical reception. When we as present-day scholars search for the cultural practices that...