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temporality

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Journal Articles
19th-Century Music. 2018; 42273–95 doi: https://doi.org/10.1525/ncm.2018.42.2.73
Published: 04 December 2018
... folk and their songs were temporal anachronisms conjured up via the discursive strategies that attempted to describe them. Increased attention should hence be paid to singers such as Henry Burstow and the Copper brothers of Rottingdean in order to rescue their histories from the conceptual apparatus of...
Journal Articles
19th-Century Music. 2017; 403201–222 doi: https://doi.org/10.1525/ncm.2017.40.3.201
Published: 01 March 2017
... context of Eichendorff's wider literary production. This article proposes applying an Eichendorffian aesthetic to Schumann's op. 39, viewing its phantasmagoric interconnections, absence of clear narrative order, sense of temporal dislocation and persistent theme of the loss of self as profoundly...
Journal Articles
19th-Century Music. 2017; 403189–200 doi: https://doi.org/10.1525/ncm.2017.40.3.189
Published: 01 March 2017
... composed settings reflects this process of gathering in different ways, from Zelter's lulling rhythms and Loewe's processional harmonies to Schubert's landscape of echoes and Liszt's drama of cosmic assimilation. Thus this monad of a poem allows each composer to set afresh the temporal and spatial...
Journal Articles
19th-Century Music. 2019; 43286–98 doi: https://doi.org/10.1525/ncm.2019.43.2.86
Published: 01 November 2019
... this case. In a temporal art form such as music the speed of operation determines whether the tool can be used live, or whether it presupposes a period of preparation. Thus, while the mathe- matical structure of the Würfelspiel resembles the core elements of the Melodist, its status as a tool is...
Journal Articles
19th-Century Music. 2016; 393187–222 doi: https://doi.org/10.1525/ncm.2016.39.3.187
Published: 01 March 2016
... rolling of the ocean breakers and freedom of the sea. Nevertheless, despite the popularity of this idea of musical landscape since the early nineteenth century, it is far from clear analytically or phenomenologically how the predominantly aural and temporal experience of music might convey a sense of...
Journal Articles
19th-Century Music. 2016; 393223–247 doi: https://doi.org/10.1525/ncm.2016.39.3.223
Published: 01 March 2016
... compositions. In place of these vague and conflicting constructs, it is proposed that Chopin used the slow mazurka—the kind widely but anachronistically called the kujawiak —to summon nostalgia for the spatially and temporally distant (and mythical) Poland, through musical styles and gestures that include...
Journal Articles
19th-Century Music. 2019; 423184–224 doi: https://doi.org/10.1525/ncm.2019.42.3.184
Published: 01 April 2019
...-developmental ten- dencies of Russian nineteenth-century music, see Benedict Taylor, Temporality in Nineteenth-Century Russian Music and the Notion of Development, Music & Letters 94, no. 1 (2013): 79 82. Indeed, it is precisely the anti-developmental quality of the ostinato variation technique that appealed...
Journal Articles
19th-Century Music. 2019; 423225–248 doi: https://doi.org/10.1525/ncm.2019.42.3.225
Published: 01 April 2019
Journal Articles
19th-Century Music. 2011; 35172–89 doi: https://doi.org/10.1525/ncm.2011.35.1.72
Published: 01 July 2011
... amplifies the effects of a performing presence in both textual and musical dimensions. Mahler's narrative ballad is a multivoiced text whose temporal and vocal shifts create oscillations between narrative and drama, telling and enactment, giving rise to a remarkable instability of utterance from which...
Journal Articles
19th-Century Music. 2018; 4213–29 doi: https://doi.org/10.1525/ncm.2018.42.1.3
Published: 01 July 2018
... in relation to one another, their countless possible combinations bear out Chopin s belief that art is infinite within the limits of its means. 14 Having mapped the stave and keyboard onto each other, the Projet de méthode proceeds to quantify the temporal realm via the illustrated subdivision of...
Journal Articles
19th-Century Music. 2018; 42153–70 doi: https://doi.org/10.1525/ncm.2018.42.1.53
Published: 01 July 2018
... conviction in a true world of timeless ideas and the Christian insistence on unconditional moral values are forms of life-negating asceticism: in sustaining the illusion of a higher reality, a supersensible Beyond (ein Jenseits), they denigrate the physical, temporal world of the Here-and- Now (das...
Journal Articles
19th-Century Music. 2018; 42130–52 doi: https://doi.org/10.1525/ncm.2018.42.1.30
Published: 01 July 2018
Journal Articles
19th-Century Music. 2018; 413206–224 doi: https://doi.org/10.1525/ncm.2018.41.3.206
Published: 01 March 2018
... Stockhausen s unpublished dia- ries. Stockhausen doubtless gave more concerts than those documented in Frankfurt, however the number of verifiable accounts, and their temporal proximity, suggests that the record is largely complete.8 Where possible, printed pro- grams have been cross-checked against other...
Journal Articles
19th-Century Music. 2017; 412121–150 doi: https://doi.org/10.1525/ncm.2017.41.2.121
Published: 01 November 2017
... di- minish the importance of dictation (which is to say the transcription of sound as symbol) in musical training.26 On another level, however, the stenographers amalgamation of freewheel- ing meditations on musical inspiration with new, writing-based inventions, presents a strik- ing temporal...
Journal Articles
19th-Century Music. 2017; 41175–92 doi: https://doi.org/10.1525/ncm.2017.41.1.75
Published: 01 July 2017
... treatment of danced works geographically and temporally distant from belle époque Paris and has impeded dis- cussion of music s latent gestural aspects more generally. Resisting the impulse to disembody this ballet yields suggestive results, helping us see the curious connections between aesthetic and...
Journal Articles
19th-Century Music. 2017; 403306 doi: https://doi.org/10.1525/ncm.2017.40.3.306
Published: 01 March 2017
... Mendelssohn, Time and Memory: The Romantic Conception of Cyclic Form (Cam- bridge, 2011) and The Melody of Time: Music and Temporality in the Romantic Era (Oxford, 2016). His most recent book, Towards a Har- monic Grammar of Grieg s Late Piano Music: Nature and Nationalism, has just been pub- lished by RMA...
Journal Articles
19th-Century Music. 2017; 403185–188 doi: https://doi.org/10.1525/ncm.2017.40.3.185
Published: 01 March 2017
... relation to the world. Each article assumes its own course within the gen- eral mandate of song and subjectivity, engaging as appropriate with issues of identity, voice, temporality, and place. Our six authors ponder the question of how song as a genre can articu- late or project different kinds of...
Journal Articles
19th-Century Music. 2017; 403257–282 doi: https://doi.org/10.1525/ncm.2017.40.3.257
Published: 01 March 2017
... thereafter, with the final lines ( Of the broad road that stretches and the roadside fire a temporal stretch on road- side enables the piano s independent recollec- tion of the lover s earlier, simpler melody, venturing now an individualistic development in harmonious sixths and fifths (mm. 56 57). The...
Journal Articles
19th-Century Music. 2017; 403223–238 doi: https://doi.org/10.1525/ncm.2017.40.3.223
Published: 01 March 2017
... Illinois University Press, 2002), 9. 25Compare Daniel M. Grimley s claim that landscape in music . . . appears to play on a powerful contradiction, between its temporal nature (its perception in time), and the way in which it appears to collapse ordered or linear notions of time into a potentially...
Journal Articles
19th-Century Music. 2017; 403283–300 doi: https://doi.org/10.1525/ncm.2017.40.3.283
Published: 01 March 2017
.... The temporality of Strauss s songs is not straightforward either. They do not often stage moments of reminiscence within them and, unlike the songs of Strauss s contemporary Mahler, they show little interest in the folkish, with its associated archaisms. The passages that are reminders of other works...