1-20 of 687 Search Results for

subjectivity

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Articles
19th-Century Music. 2017; 403185–188 doi: https://doi.org/10.1525/ncm.2017.40.3.185
Published: 01 March 2017
... the University of California Press s Reprints and Permissions web page, httpwww.ucpress.edu/ journals.php?p=reprints. httpsdoi.org/10.1525/ncm.2017.40.3.185. Song the sound of the singing voice has long proved the iconic medium of subjectivity, an audible signal of subjective presence. As soon as...
Journal Articles
19th-Century Music. 2017; 403301–305 doi: https://doi.org/10.1525/ncm.2017.40.3.301
Published: 01 March 2017
... being a certain way, from one subject to another. This conception is not ex- clusive, nor is it always explicit, but it is ubiquitous.The recognition of its emergence, rise, and possible fall offers valuable resources for writing the twin histories of subjectivity and of music, and of highlighting the...
Journal Articles
19th-Century Music. 2017; 403201–222 doi: https://doi.org/10.1525/ncm.2017.40.3.201
Published: 01 March 2017
... crucial in coming to an aesthetic understanding of the cycle. Schumann's procedure, in juxtaposing a number of poems drawn from disparate works, presents an extreme case whereby narrative and subjective identity are put to the test, and the listener is invited to fill the vacant space left by the...
Journal Articles
19th-Century Music. 2012; 353ncm.2012.35.3.iii doi: https://doi.org/10.1525/ncm.2012.35.3.iii
Published: 01 March 2012
...- jects referred to in the title of this special issue are not melodic subjects, much less fugue sub- jects, but human ones: selves, personas, per- sonifications, figures, phantoms, protagonists, addressers, and addressees. But, no: the issue was not planned on this theme. It just came together as the...
Journal Articles
19th-Century Music. 2012; 353238–260 doi: https://doi.org/10.1525/ncm.2012.35.3.238
Published: 01 March 2012
...Michael Klein This article views Chopin's Mazurka in C# Minor, op. 30, no. 4, as akin to a dream that is open to analysis from a Lacanian perspective. After a discussion of Jacques Lacan's famous orders of subjectivity (the imaginary, the symbolic order, and the Real), the article turns to his...
Journal Articles
19th-Century Music. 2005; 292142–160 doi: https://doi.org/10.1525/ncm.2005.29.2.142
Published: 01 November 2005
... my coorganizers of the conference, Vincent Pecora and Mitchell Morris. I also wish to thank the many excellent presenters and attendees, who proved to be extremely valuable inter- locutors. Selbst dann bin ich die Welt : On the Subjective-Musical Basis of Wagner s Gesamtkunstwelt RAYMOND KNAPP At...
Includes: Multimedia, Supplementary data
Journal Articles
19th-Century Music. 2010; 333232–246 doi: https://doi.org/10.1525/ncm.2010.33.3.232
Published: 01 March 2010
... may be found in the Archives Nationales de France, AJ/13/502. For more on this subject, see David Cairns, Berlioz, vol. II: Servitude and Greatness (London: Allen Lane, 1999), pp. 675 78; Le Journal des Débats, 24 October 1861. Cette reprise . . . vient enfin d avoir lieu avec un magnifique succès...
Journal Articles
19th-Century Music. 2018; 42296–122 doi: https://doi.org/10.1525/ncm.2018.42.2.96
Published: 04 December 2018
... Bayreuth. This new source also enriches our knowledge of two composers who, each in his own way, sought to respond to Wagnerian theater, all the while being inspired by it: from Wagner’s example both composers drew subjects based on legends, used reminiscence motifs or enriched their orchestral and...
Journal Articles
19th-Century Music. 2017; 403257–282 doi: https://doi.org/10.1525/ncm.2017.40.3.257
Published: 01 March 2017
... collective, the “artistic” and the “accessible,” and, as I suggest, the subjective voice of the individual artist in its invitation to the participation of a singing and listening community. I propose that Vaughan Williams's early songs frequently frame the idea or demand the engagement of a listener's...
Journal Articles
19th-Century Music. 2018; 42130–52 doi: https://doi.org/10.1525/ncm.2018.42.1.30
Published: 01 July 2018
... the narrator can be just as unstable in literary texts as in musical ones. The problems of narration that have been imputed to music are problems of narration itself. Regarding the era of Chopin's Ballade, these problems also point to unstable models of subjectivity, which the logic of narrative...
Journal Articles
19th-Century Music. 2008; 313217–227 doi: https://doi.org/10.1525/ncm.2008.31.3.217
Published: 01 March 2008
.../index.cfm? fuseaction=vids.individual&videoid=16559417. 10Letter to Halvorsen, 6 December 1901, Edvard Grieg: Letters to Colleagues and Friends, p. 349. 11See my Modal Subjectivities: Self-Fashioning in the Ital- ian Madrigal (Berkeley: University of California Press, 2004). Beethoven experimented with the...
Journal Articles
19th-Century Music. 1999; 2313–32 doi: https://doi.org/10.2307/746845
Published: 01 July 1999
... Schubert, Symphony in B Minor ("Unfinished") 45 Susan McClary, "Constructions of Subjectivity in Schubert's Music," in Queering the Pitch: The New Gay and Lesbian Musicology, ed. Philip Brett, Elizabeth Wood, and Gary C. Thomas (New York, 1994), pp. 205-33. McClary Constructions of Subjectivity...
Journal Articles
19th-Century Music. 2019; 43263–66 doi: https://doi.org/10.1525/ncm.2019.43.2.63
Published: 01 November 2019
..., and within the scene of what Mark Evan Bonds has called music as thought. 1 This special issue presents a quartet of articles whose subjects mark a deliberate departure from this legacy. Collectively, they pose the question of whether the regimeof idealismhasobscured the emergent perspective of...
Journal Articles
19th-Century Music. 2019; 432121–139 doi: https://doi.org/10.1525/ncm.2019.43.2.121
Published: 01 November 2019
... Baillot s manuals, neither Mozart s strong emphasis on a complete musical education is found, nor is the radical separation of subjects in music education. They write for violin tea- chers, assuming that teachers mediate the knowledge about violin playing to a much larger group of apprentices who may not...
Journal Articles
19th-Century Music. 2019; 43299–120 doi: https://doi.org/10.1525/ncm.2019.43.2.99
Published: 01 November 2019
... is subject to laws and rules dependent on the nature of human intelligence. . . . The principal difficulty in pursuing this object is to understand how regularity can be apprehended by intuition without being consciously felt to exist. Hermann von Helmholtz, 1863 Sound is a finely attenuated...
Journal Articles
19th-Century Music. 2019; 43267–85 doi: https://doi.org/10.1525/ncm.2019.43.2.67
Published: 01 November 2019
... also offered a mirror to the various forms of royal insanity that had plagued the preceding reigns. Though far less subject to mania-melancholia than his predecessors Felipe V and Fernando VI, Carlos III was somewhat melancholic, to which his obsessive regularity seemed to have offered a kind of...
Journal Articles
19th-Century Music. 2017; 403223–238 doi: https://doi.org/10.1525/ncm.2017.40.3.223
Published: 01 March 2017
... questions of representation with a focus on how music generates a sense of subjectivity. Three approaches facilitate a more subtle and variegated understanding of Rimsky-Korsakov's “soundscapes” than has been proposed so far. First, landscape is interpreted as a facet of Russian national identity in the...
Journal Articles
19th-Century Music. 2017; 41148–74 doi: https://doi.org/10.1525/ncm.2017.41.1.48
Published: 01 July 2017
... poem that shares musical material and subject matter with the composer's magnum opus, Le Roi Arthus (1886–95). Drawing on unpublished sketches and manuscripts of Viviane , I trace how Chausson's evolving aesthetics manifested themselves in his revisions of the work. While he suppressed evidence of...
Journal Articles
19th-Century Music. 2016; 393187–222 doi: https://doi.org/10.1525/ncm.2016.39.3.187
Published: 01 March 2016
... embodied subject. Ultimately I argue for a more ecomusicological understanding of Mendelssohn's work as embodying a critical reading of a fragile human subjectivity within nature, an immersive projection of the wild, northern sublime. I would like to thank Daniel Grimley and my former colleagues in...
Journal Articles
19th-Century Music. 2019; 4313–16 doi: https://doi.org/10.1525/ncm.2019.43.1.3
Published: 01 July 2019
... having taken place. DANIEL R. MELAMED J. S. Bach s Aus Liebe 619th CENtURY MUSIC brought to life in infinite refinement with the resources of the immaterial art of music. Moments like this show what a Bach Passion offers to such subjects over drama proper; it has the transcendent at its disposal as...
Includes: Multimedia, Supplementary data