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Journal Articles
19th-Century Music. 2017; 41131–47 doi: https://doi.org/10.1525/ncm.2017.41.1.31
Published: 01 July 2017
...Clinton D. Young This article examines the development of Wagnerism in late-nineteenth-century Spain, focusing on how it became an integral part of Catalan nationalism. The reception of Wagner's music and ideas in Spain was determined by the country's uneven economic development and the weakness of...
Journal Articles
19th-Century Music. 2019; 43267–85 doi: https://doi.org/10.1525/ncm.2019.43.2.67
Published: 01 November 2019
... Late Eighteenth- Century Spain (AMS/SMT Conference, Vancouver, BC, 19th Century Music, vol. 43, no. 2, pp. 67 85. ISSN: 0148-2076, electronic ISSN: 1533-8606 © 2019 by The Regents of the University of California. All rights reserved. Please direct all requests for permission to photocopy or reproduce...
Journal Articles
19th-Century Music. 2019; 423184–224 doi: https://doi.org/10.1525/ncm.2019.42.3.184
Published: 01 April 2019
... Symphonic Acorns KIRILL ZIKANOV 185 KIRILL ZIKANOV Glinka s Three Models A few weeks later he set off on a journey through Spain, touring much of the country, learning the language, and collecting native tunes in his notebook.2 The first product of these experiences, completed in the fall of 1845, was Jota...
Journal Articles
19th-Century Music. 2017; 41193 doi: https://doi.org/10.1525/ncm.2017.41.1.93
Published: 01 July 2017
... is associate professor of his- tory at the University of Arkansas at Monticello. He is the author of Music Theater and Popular Nationalism in Spain, 1880 1930 (Louisiana State University Press, 2016) and is a specialist in the political and cultural history of modern Spain. His current research deals...
Journal Articles
19th-Century Music. 2017; 4113–30 doi: https://doi.org/10.1525/ncm.2017.41.1.3
Published: 01 July 2017
Journal Articles
19th-Century Music. 2016; 40281–105 doi: https://doi.org/10.1525/ncm.2016.40.2.81
Published: 01 November 2016
... which Sr. José introduced the op- era: The Roaster [O Torrador] was baptized in Spain; caramba! Born in Aragon. . . . The po- etry is by Shrimp [Camarão] . . . a bit irritating . . . the music Green [Verde], verdigris [verdete], 7Roberta Montemorra Marvin, Verdian Opera Burlesqued: A Glimpse into Mid...
Journal Articles
19th-Century Music. 2016; 402131–158 doi: https://doi.org/10.1525/ncm.2016.40.2.131
Published: 01 November 2016
Journal Articles
19th-Century Music. 2015; 392167–183 doi: https://doi.org/10.1525/ncm.2015.39.2.167
Published: 01 November 2015
...), and deploying Miltonic rhetoric to meld geohistory with sacred history. In this way, they redirected biblical associations on a metaphorical rather 9He provided evidence from his trips to France, Italy, Spain, and Germany as well as from walking along the coast of Essex and Norfolk, observing modern...
Journal Articles
19th-Century Music. 2014; 373188–210 doi: https://doi.org/10.1525/ncm.2014.37.3.188
Published: 01 March 2014
... roses common to all the manuscripts dis- played, and headed by a miniature sketch of the Exposition as seen from the Seine, Verdi s album leaf consists of the first fourteen mea- sures (in French, and in vocal score) of the act IV Duo between Philip II of Spain and his blind, ninety-year-old Grand...
Journal Articles
19th-Century Music. 2013; 37137–55 doi: https://doi.org/10.1525/ncm.2013.37.1.37
Published: 01 July 2013
... seriously. Verdi s opera, based on Friedrich Schiller s 1787 play, pre- sents a fictional tragic love triangle at the court of Philip II of Spain.1 Nearly every one of the first reviews made a point of differentiating the romanticized operatic plot from the true history. On the serious side, Le Journal...
Journal Articles
19th-Century Music. 2013; 37137–55 doi: https://doi.org/10.1525/ncm.2013.37.3.37
Published: 01 July 2013
... seriously. Verdi s opera, based on Friedrich Schiller s 1787 play, pre- sents a fictional tragic love triangle at the court of Philip II of Spain.1 Nearly every one of the first reviews made a point of differentiating the romanticized operatic plot from the true history. On the serious side, Le Journal...
Journal Articles
19th-Century Music. 2012; 362101–121 doi: https://doi.org/10.1525/ncm.2012.36.2.101
Published: 01 November 2012
... scenes, see my Technologies of Operatic Madness in Second Empire Paris, in Technology and the Diva: Opera and the Media from Romanticism to the Twenty-First Century, ed. Karen Henson (Cambridge: Cambridge Uni- versity Press, forthcoming). 23For more on this process, see James Parakilas, How Spain Got...
Journal Articles
19th-Century Music. 2011; 352132–143 doi: https://doi.org/10.1525/ncm.2011.35.2.132
Published: 01 November 2011
... opening that presents, on facing pages, a lightly annotated listing of Major Com- posers of the 19th Century grouped by coun- tries. Although the breakdown thus empha- sizes nations, the issue of national character is explicitly raised in only three of the nine groups: Spain, Russia, and the United...
Journal Articles
19th-Century Music. 2010; 342109–140 doi: https://doi.org/10.1525/ncm.2010.34.2.109
Published: 01 November 2010
Journal Articles
19th-Century Music. 2009; 3313–24 doi: https://doi.org/10.1525/ncm.2009.33.1.003
Published: 01 July 2009
... to Spain, Russia, Algeria, Constan- tinople, and Egypt that would feed Gautier s interest in the exotic were still before him. Nevertheless, Gautier s predisposition toward dance practices foreign to the Parisian ballet was already manifest in his writings, as illus- trated by his appreciative...
Journal Articles
19th-Century Music. 2009; 323211–234 doi: https://doi.org/10.1525/ncm.2009.32.3.211
Published: 01 March 2009
... a broad European stage, with Arthur fighting figures from France, Germany, Spain, and Hungary, and thus implicitly becoming associated with Charlemagne. These texts are not associated in any other surviving manuscript, but the scribe for this particular manuscript evidently saw in the personages...
Journal Articles
19th-Century Music. 2001; 252-3127–154 doi: https://doi.org/10.1525/ncm.2001.25.2-3.127
Published: 01 November 2001
... implication sonata-process as meta- phor could not be clearer. Just as in Goethe s play, the hero and political martyr, the Flemish Count Egmont, fell short of the immediate ideal of liberating the Netherlands from Spain, so too the sonata-space of Beethoven s overture replicated that lack of success in the...
Journal Articles
19th-Century Music. 1998; 222144–168 doi: https://doi.org/10.2307/746855
Published: 01 October 1998
... Bellini's Adelson e Salvini [1825 Scotland (Ducange's La Fiancee de Lammermoor [1828] and Carafa's Le nozze di Lammermoor [1829 Russia (Pixerecourt's La Fille de l'exilk ou Huit mois en deux heures [1819] and Donizetti's Otto mesi in due ore [1827 or Spain (the island of Majorca in Pix6r6court La Citerne...
Journal Articles
19th-Century Music. 1998; 22120–53 doi: https://doi.org/10.2307/746790
Published: 01 July 1998
... 307-13 Whaples Early Exoticism Revisited 3 Bellman, Exotic James Parakilas, "How Spain Got a Soul," in Bellman, Exotic, pp. 137-93 and 333-42 Parakilas How Spain Got a Soul 137 Bellman, Exotic 18 Le Moniteur universel, 19 September 1800 19 September Le Moniteur universel 1800...
Journal Articles
19th-Century Music. 1998; 213247–273 doi: https://doi.org/10.2307/746824
Published: 01 April 1998
... spoken so potently to Euro- peans of the late eighteenth and early nine- teenth centuries: no less than the Gaels of Scot- land, who faced something close to cultural genocide in the 1740s and 1750s, their contem- poraries in Spain, The Netherlands, Germany, Sweden, and Russia looked back with some...