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Journal Articles
19th-Century Music (2017) 40 (3): 189–200.
Published: 01 March 2017
...?p=reprints . 2017 Goethe Zelter Loewe Schubert Liszt time space mortality 189 SCOTT BURNHAM Settings of Goethe 19th-Century Music, vol. 40, no. 3, pp. 189 200 ISSN: 0148-2076, electronic ISSN 1533-8606. © 2017 by the Regents of the University of California. All rights reserved...
Journal Articles
19th-Century Music (2019) 43 (2): 99–120.
Published: 01 November 2019
... ultimately grounded in such law-likeness. Such a claim for an objective measure of perception was not unprecedented, yet it failed to distinguish cleanly between what is objective and what is real, opening up a discursive space regarding what sound “is,” and what its objective perception may be. Its...
Journal Articles
19th-Century Music (2004) 28 (2): 108–132.
Published: 01 November 2004
... zusammendrängte, errang er sich Kron und Scepter über die Instrumental- componisten des Tages (ibid., 34; all translations are mine, unless otherwise indicated Navigating Sonata Space in Mendelssohn s Meeresstille und glückliche Fahrt JOEL HANEY I In mid-1835, surveying the current state of in- strumental music...
Journal Articles
19th-Century Music (2017) 40 (3): 239–256.
Published: 01 March 2017
...Julian Johnson Debussy's early song settings of Théodore de Banville and Paul Bourget foreground the Romantic topic by which the singing voice revokes lost presence. The closed aesthetic space of music becomes, in these songs, the space of the nocturnal garden in which the souls of lovers merge...
Journal Articles
19th-Century Music (2020) 43 (3): 211.
Published: 01 March 2020
... files. Tables should be prepared without cells, following the text with an abstract. All text and extracts must be double-spaced. The footnote feature in Word (bottom of the page) should also be used with arabic numbers, and footnotes should not be used with example captions. Please do not use zip files...
Journal Articles
19th-Century Music (2020) 43 (3): 143–169.
Published: 01 March 2020
... 3). While the company s bestselling products were busts for display in public spaces, masks were the objects of choice for private rooms, with a certain intimacy that evoked a funeral wake.19 Beethoven s mask rose in demand with a col- laboration between the Gebrüder Micheli and the Beethoven-Haus...
Journal Articles
19th-Century Music (2020) 43 (3): 194–208.
Published: 01 March 2020
... the drama- tis personae are allowed to hear the music that embodies it. With these moments of imagined speech or presence (prosopopoeia), Abbate creates a space in which we might ask: What do these operatic characters hear? Do they hear what we (the audience) hear? What are the effects of pure...
Journal Articles
19th-Century Music (2019) 43 (2): 141.
Published: 01 November 2019
..., following the text with an abstract. All text and extracts must be double-spaced. The footnote feature in Word (bottom of the page) should also be used with arabic numbers, and footnotes should not be used with example captions. Please do not use zip files or drop box for initial submissions. Please send...
Journal Articles
19th-Century Music (2019) 43 (2): 63–66.
Published: 01 November 2019
... covered head to toe with a tympanum. We live in . . . sound waves just as much as in spaces. 2 The same materializing impulse might be cited in relation to Bernd Schulz s claim from 2002 that sound has become material within the context of an expanded concept of sculpture. 3 But for present purposes...
Journal Articles
19th-Century Music (2019) 43 (2): 121–139.
Published: 01 November 2019
Journal Articles
19th-Century Music (2017) 40 (3): 201–222.
Published: 01 March 2017
... crucial in coming to an aesthetic understanding of the cycle. Schumann's procedure, in juxtaposing a number of poems drawn from disparate works, presents an extreme case whereby narrative and subjective identity are put to the test, and the listener is invited to fill the vacant space left by the...
Journal Articles
19th-Century Music (2019) 43 (1): 62.
Published: 01 July 2019
... be prepared without cells, following the text with an abstract. All text and extracts must be double-spaced. The footnote feature in Word (bottom of the page) should also be used with arabic numbers, and footnotes should not be used with example captions. Please do not use zip files or drop box for...
Journal Articles
19th-Century Music (2019) 43 (1): 17–37.
Published: 01 July 2019
... voice was, for a space of possibly several half-steps [around an f such that while it was impossible to hear whether he was using chest voice or falsetto, above and below this range falsetto and chest registers were clearly, audibly evident. Potter, The Tenor-Castrato Connection, 103. 30NMM (1834), 254...
Journal Articles
19th-Century Music (2019) 42 (3): 251.
Published: 01 April 2019
... files. Tables should be prepared without cells, following the text with an abstract. All text and extracts must be double-spaced. The footnote feature in Word (bottom of the page) should also be used with arabic numbers, and footnotes should not be used with example captions. Please do not use zip files...
Journal Articles
19th-Century Music (2019) 42 (3): 157–183.
Published: 01 April 2019
... considering how the films audi- ences might have understood each actress s persona beyond the space of the films. Given that the types of period films under study operetta, classic literary adaptation, and free historical fiction or costume drama have tra- ditionally been thought by the film industry and...
Journal Articles
19th-Century Music (2019) 42 (3): 225–248.
Published: 01 April 2019
Journal Articles
19th-Century Music (2016) 39 (3): 187–222.
Published: 01 March 2016
... visual space that would appear central to the perception of landscape. This article explores Mendelssohn's archetypal example of the musical seascape in order to unravel these concerns. After briefly charting the philosophical reefs that encircle this issue, I examine how the aural may nevertheless...
Journal Articles
19th-Century Music (2018) 42 (2): 156.
Published: 04 December 2018
..., fol- lowing the text with an abstract. All text and extracts must be double-spaced. The footnote feature in Word (bottom of the page) should also be used with arabic numbers, and footnotes should not be used with example captions. Please do not use zip files or drop box for ini- tial submissions...
Journal Articles
19th-Century Music (2018) 42 (2): 123–154.
Published: 04 December 2018
... conventionally feminized space of the home to contextualized critical scrutiny.6 Nineteenth-century domestic music-making has recently received considerable musicological enquiry. The relationship of this activity with the performance culture of the concert hall raises ambiguities between notions of private...
Journal Articles
19th-Century Music (2018) 42 (2): 73–95.
Published: 04 December 2018
... in houses, displayed on alehouse walls, and dis- persed around public spaces.43 Powerfully shaping rural traditions within what Christo- pher Marsh describes as a never-ending process of circulation, these ubiquitous sheets were initially accompanied by an indi- cation of melody (by title only) and...