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Journal Articles
19th-Century Music (2007) 31 (2): 113–130.
Published: 01 November 2007
...Karen Henson This article introduces twelve new Verdi letters and other operatic and musical theater sources in the Yale Collection of Historical Sound Recordings. The materials hail from the French baritone Victor Maurel (1848-1923), Verdi's first Iago and first Falstaff, and from his second wife...
Journal Articles
19th-Century Music (2020) 44 (1): 36–58.
Published: 01 July 2020
... archival sources relating to Caplet’s smaller contemporaneous projects, including a 1923 setting of a poem by Baudelaire, his contribution to La Revue musicale ’s 1924 Le Tombeau de Ronsard , and his response to a 1924 survey about “new music,” Caplet’s interest in classicism emerges as a salient context...
Journal Articles
19th-Century Music (2019) 43 (2): 67–85.
Published: 01 November 2019
... the French idée fixe . Both concepts emerged from literary, rather than medical, sources. Though Don Quixote remained a touchstone for reflections on “madness,” Brunetti's symphony anatomized obsession decades before medical discourse gave its clinical description. © 2019 by The Regents of the...
Journal Articles
19th-Century Music (2018) 41 (3): 225–251.
Published: 01 March 2018
...Andreas Giger In 1943 Allied bombs destroyed the archives of Leoncavallo's publisher, Sonzogno, and of the Teatro Dal Verme, where Pagliacci was first performed. As a result, many sources pertaining to the opera's compositional history were lost, and scholarship has relied almost exclusively on...
Journal Articles
19th-Century Music (2019) 42 (3): 157–183.
Published: 01 April 2019
... not a substitute for documentary evidence of real practices, this film phenomenon meaningfully engages with nineteenth-century cultural history, literary sources, and musical practices through presentist conventions and concerns. Such films thus offer a vehicle through which to think about continuity...
Journal Articles
19th-Century Music (1996) 19 (3): 252–262.
Published: 01 April 1996
... Method] 1989 Dahlhaus's writing in his "The Dahlhaus Project and Its Extra-musicological Sources," this journal 14 (1991), 221-46 10.2307/746536 221 The Hermeneutic Tradition: From Ast to Ricoeur, ed. Gayle L. Ormiston and Alan D. Schrift (Albany, N.Y., 1990) Ormiston The Hermeneutic...
Journal Articles
19th-Century Music (1995) 19 (1): 83–95.
Published: 01 July 1995
... Genie Foudroyd (1907-1911) 1984 4 Donald Mitchell, Gustav Mahler: Songs and Symphonies of Life and Death (Berkeley and Los Angeles, 1985), p. 461. Mitchell 461 Gustav Mahler: Songs and Symphonies of Life and Death 1985 5 Kohjiro Yoshikawa, "On the Sources of Mahler's Das Lied von der...
Journal Articles
19th-Century Music (2018) 42 (2): 96–122.
Published: 04 December 2018
... Bayreuth. This new source also enriches our knowledge of two composers who, each in his own way, sought to respond to Wagnerian theater, all the while being inspired by it: from Wagner’s example both composers drew subjects based on legends, used reminiscence motifs or enriched their orchestral and...
Journal Articles
19th-Century Music (1991) 14 (3): 221–246.
Published: 01 April 1991
... sources. Chapter 10 of Foundations (pp. 150-65) Dahlhaus 150 Foundations Dahlhaus's earlier essay, "Vom Nutzen und Nachteil der 'Rezeptionsgeschichte'," Neue Zeit- schrift für Musik 134 [1973], 636 Dahlhaus Vom Nutzen und Nachteil der 'Rezeptionsgeschichte 636 134 Neue Zeitschrift für...
Journal Articles
19th-Century Music (2020) 44 (1): 60.
Published: 01 July 2020
... or drop box for initial submissions. Please send submissions to the editorial office, 19th-Century Music, Music Department, University of California, Davis: cmacosta@ucdavis.edu. For quotations transcribed from foreign sources, authors are urged to specify in the type- script occurrences of the...
Journal Articles
19th-Century Music (2020) 44 (1): 19–35.
Published: 01 July 2020
... lauded by L Illustration as a source of justified authority in its field.1 In joining the medical service of the Opéra, Chervin further enhanced his ability to bridge vocal music and medicine. Healthy voices and medicine, he and his community argued, were key to vocal prowess and to the successful pur...
Journal Articles
19th-Century Music (1983) 7 (2): 119–129.
Published: 01 October 1983
...M. Elizabeth C. Bartlet Copyright 1983 The Regents of the University of California [Footnotes] 1 Emile Campardon drew on these sources and others for his biographies of singers during the ancien regime: Les Comé- diens du Roi de la troupe italienne pendant les deux der- niers siécles...
Journal Articles
19th-Century Music (1983) 7 (2): 136–142.
Published: 01 October 1983
... experience dans le traitement de sources icono- graphiques," Revue de musicologie 62 (1976), 125-131 10.2307/928568 125 "Musical Iconography in the Nineteenth-Century French Illustrated Press: A Method for Cataloguing and Indexing," Report of the Twelfth Congress of the International Musi- cological...
Journal Articles
19th-Century Music (2020) 43 (3): 211.
Published: 01 March 2020
... or drop box for initial submissions. Please send submissions to the editorial office, 19th-Century Music, Music Department, University of California, Davis: cmacosta@ucdavis.edu. For quotations transcribed from foreign sources, authors are urged to specify in the type- script occurrences of the...
Journal Articles
19th-Century Music (2020) 43 (3): 143–169.
Published: 01 March 2020
... nineteenth-century publishers capitalized upon this appetite for deathbed legends, last words, last thoughts and breaths, pain, solace, and unwritten music taken to the grave.9 By studying a network of ephemeral sources that go beyond music criticism, musicologists can refine their understanding of late...
Journal Articles
19th-Century Music (2020) 43 (3): 194–208.
Published: 01 March 2020
... destroys the fabric of sound and the sounded world of the opera characters when it becomes what I call phonocidal voice. This phonocidal voice must not be taken as a perpetuation of lack by understanding it as a source of destruction and eradication. Instead, the phonocidal voice is a source of...
Journal Articles
19th-Century Music (2017) 41 (2): 121–150.
Published: 01 November 2017
... indispensable for capturing fugitive musical thoughts and acts: music stenography aided Hector Berlioz, for example, in the composition of his Requiem. For others, including Rossini, Fétis, and contributors to the Allgemeine musikalische Zeitung, the claims and merits of stenography were a source of controversy...
Journal Articles
19th-Century Music (2019) 43 (2): 141.
Published: 01 November 2019
... submissions to the editorial office, 19th-Century Music, Music Department, University of California, Davis: cmacosta@ucdavis.edu. For quotations transcribed from foreign sources, authors are urged to specify in the type- script occurrences of the following characters: ß, É, À, , and . Prospective...
Journal Articles
19th-Century Music (2019) 43 (2): 86–98.
Published: 01 November 2019
... unsurprisingly, also presented his work with a modicum of musical-didactical reflection. His directions for use notes that measures too difficult for the player can be repla- ced, and that the system can also be used to train musicians in the reading of notation. Another source, the catalogue of Clinton s...
Journal Articles
19th-Century Music (2019) 43 (2): 121–139.
Published: 01 November 2019
... musical catego- ries. In his work on the subject after the second Plate 1: Exercise for verification of pure intonation after Baillot. Source: Baillot, Art du violon, 21. 34Baillot, Art du Violon, 21. He later on points to double fingering as indicating the advice to check the position of the finger...