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silence

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Journal Articles
19th-Century Music. 2008; 32194–128 doi: https://doi.org/10.1525/ncm.2008.32.1.094
Published: 01 July 2008
...Philip Ross Bullock This article considers a number of Tchaikovsky's songs——specifically those with texts by Apukhtin, Romanov, Heine, Goethe, and Tchaikovsky himself——to explore how silence constitutes a powerful yet elusive form of expression. It argues that Tchaikovsky's songs, an...
Journal Articles
19th-Century Music. 2004; 282160–182 doi: https://doi.org/10.1525/ncm.2004.28.2.160
Published: 01 November 2004
.... Please direct all requests for permission to photocopy or reproduce article content through the University of California Press s Rights and Permissions website, at httpwww.ucpress.edu/journals/rights.htm. CARLO CABALLERO Silence, Echo: A Response to What the Sorcerer Said I begin at the end of The...
Journal Articles
19th-Century Music. 2020; 433194–208 doi: https://doi.org/10.1525/ncm.2020.43.3.194
Published: 01 March 2020
... University Press, 2009), 169 70. 40Alice Lagaay, Between Sound and Silence: Voice in the History of Psychoanalysis, E-pisteme 1, no. 1 (2008): 53 62. 19TH CENTURY MUSIC 202 from the cistern is the dramatization of an abyss that is plentiful. It is an abyss that is not empty. It is an abyss that excites...
Journal Articles
19th-Century Music. 2019; 43267–85 doi: https://doi.org/10.1525/ncm.2019.43.2.67
Published: 01 November 2019
... arresting unison statements fortissimo, abrupt silences, and other hallmarks of the sensitive style (empfindsa- mer Stil).46 Indeed, such introductions also were found in the symphonies of JosephHaydn, gener- ally taken to have been the exemplar whom Brunetti followed.47 Normally, a slow introduc- tion...
Journal Articles
19th-Century Music. 2019; 43299–120 doi: https://doi.org/10.1525/ncm.2019.43.2.99
Published: 01 November 2019
... still with no claim for direct knowledge of a mind- independent reality. It was a loud silence. As Charles Sanders Peirce remarked in his obituary: It would seem that something must have hap- pened [following the research on sensation from the early 1850s] . . . whichmade Helmholtz dread an sich as a...
Journal Articles
19th-Century Music. 2019; 43117–37 doi: https://doi.org/10.1525/ncm.2019.43.1.17
Published: 01 July 2019
Journal Articles
19th-Century Music. 2019; 4313–16 doi: https://doi.org/10.1525/ncm.2019.43.1.3
Published: 01 July 2019
... a performance, especially the many fermatas often rendered with ral­ lantandos, holds, and following silences. DANIEL R. MELAMED J. S. Bach s Aus Liebe 10 19th CENtURY MUSIC Table 2 Timings of recordings of Aus Liebe consulted (shortest to longest) 2006 Jacobs 3:40 2012 Biller 5:00 1995 Neuhold...
Includes: Multimedia, Supplementary data
Journal Articles
19th-Century Music. 2019; 43138–60 doi: https://doi.org/10.1525/ncm.2019.43.1.38
Published: 01 July 2019
Journal Articles
19th-Century Music. 2019; 423184–224 doi: https://doi.org/10.1525/ncm.2019.42.3.184
Published: 01 April 2019
Journal Articles
19th-Century Music. 2018; 42273–95 doi: https://doi.org/10.1525/ncm.2018.42.2.73
Published: 04 December 2018
... century and a quarter that followed his paper. Throughout the intense disputes surrounding folk song over the years, such views despite or perhaps due to their critical aptitude have been silenced, drowned out, or simply forgot- ten. This article builds on Jacobs s ideas by foregrounding discrepancies...
Journal Articles
19th-Century Music. 2018; 422123–154 doi: https://doi.org/10.1525/ncm.2018.42.2.123
Published: 04 December 2018
Journal Articles
19th-Century Music. 2018; 42130–52 doi: https://doi.org/10.1525/ncm.2018.42.1.30
Published: 01 July 2018
Journal Articles
19th-Century Music. 2018; 4213–29 doi: https://doi.org/10.1525/ncm.2018.42.1.3
Published: 01 July 2018
Journal Articles
19th-Century Music. 2018; 413183–205 doi: https://doi.org/10.1525/ncm.2018.41.3.183
Published: 01 March 2018
... Giovanni in Czech. It is possible that the national pride of the emerging Czech movement silenced any objections to the dramatic unviability of the restored por- tions of the opera. Another important milestone in the process of injecting authenticity into Prague s Mozart opera productions came in 1842...
Journal Articles
19th-Century Music. 2017; 41295–120 doi: https://doi.org/10.1525/ncm.2017.41.2.95
Published: 01 November 2017
... melodies, augmented and/or diminished leaps, monotone lines, de- scending tetrachord bass lines, sigh motifs, rising and fall- ing scales, syncopation, majestic or ponderous dotted rhythms, sudden contrasts, octave doubling, crescendo ef- fects, unexpected silences, unusual instrumentation, low tessitura...
Journal Articles
19th-Century Music. 2017; 412151–179 doi: https://doi.org/10.1525/ncm.2017.41.2.151
Published: 01 November 2017
... and accent. Finally silencing his inter- nal conscience and rejecting notions of good and evil, god and the devil, as the church bells cease, Mephistopheles is silenced, and Faust signs the pact (ex. 2). Busoni envisioned Faust as a talented man wracked by his own conscience and distracted by his own...
Journal Articles
19th-Century Music. 2017; 41148–74 doi: https://doi.org/10.1525/ncm.2017.41.1.48
Published: 01 July 2017
Journal Articles
19th-Century Music. 2017; 41175–92 doi: https://doi.org/10.1525/ncm.2017.41.1.75
Published: 01 July 2017
..., M. Nijinski, aidé par deux aimables demoi- selles et la musique de M. Debussy, essaya, dans Jeux, de nous chorégraphier le tennis comme il le voit. Tennis, 6 June 1913. 22Hanna Järvinen, Critical Silence: The Unseemly Games of Love in Jeux (1913 Dance Research 27, 2 (2009): 211. 23This discussion...
Journal Articles
19th-Century Music. 2017; 4113–30 doi: https://doi.org/10.1525/ncm.2017.41.1.3
Published: 01 July 2017
... first successful produc- tion of the composer s work there: Lohengrin in 1891.5 These two dates apparently bookend thirty years of Wagnerian silence in Paris, bro- ken only occasionally by literary debates be- tween Wagnéristes and less enthusiastic crit- ics. But this received view of the Parisian re...
Journal Articles
19th-Century Music. 2017; 403189–200 doi: https://doi.org/10.1525/ncm.2017.40.3.189
Published: 01 March 2017
... the dying sounds of twilight. Some fifty years later he revisited the site, discovered the verse he wrote there as a young man, and experienced the poignant arc between his distant selves. Of course, he wept: who wouldn t? Goethe s poem is about the tug on the soul of great distances, of the silence...