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Journal Articles
19th-Century Music. 2016; 393272–289 doi: https://doi.org/10.1525/ncm.2016.39.3.272
Published: 01 March 2016
...Adrian Daub This article examines the musical, literary, and theatrical practice of a group of early German modernists — above all Richard Strauss and Frank Wedekind. All of them turn to dance, its unmediated physicality, and its erotic charge to articulate a response to Richard Wagner's theatrical...
Journal Articles
19th-Century Music. 2007; 312164–174 doi: https://doi.org/10.1525/ncm.2007.31.2.164
Published: 01 November 2007
... Hannay (London: Pen- guin Classics, 1992), p. 92; All Afsindighed bunder i en Forhærdelse, paa et eller andet Punkt i Bevidstheden (Enten/Eller: Et Livs-Fragment, Complete Works, vol. 2 [Copenhagen: Gyldenal, 1962], p. 79). Elektra s Oceanic Time: Voice and Identity in Richard Strauss STÅLE WIKSHÅLAND...
Journal Articles
19th-Century Music. 1986; 93163–175 doi: https://doi.org/10.2307/746524
Published: 01 April 1986
...? was published, with a facsimile of the manuscript, by Hans Schneider (Tutzing, 1974) Flagler Wer hat's gethan? 1974 3 Willi Schuh, Richard Strauss: Jugend und frühe Meisterjahre: Lebenschronik 1864-1898 (Zurich, 1976), pp. 166-80 Schuh 166 Richard Strauss: Jugend und frühe...
Journal Articles
19th-Century Music. 1998; 222101–126 doi: https://doi.org/10.2307/746853
Published: 01 October 1998
...Charles Youmans Copyright 1998 The Regents of the University of California [Footnotes] 1 Willi Schuh, Richard Strauss: Jugend und frühe Meisterjahre: Lebenschronik 1864-1898 (Zurich, 1976), pp. 233-38 Schuh 233 Richard Strauss: Jugend und frühe Meisterjahre: Lebenschronik 1864...
Journal Articles
19th-Century Music. 2001; 252-3313–336 doi: https://doi.org/10.1525/ncm.2001.25.2-3.313
Published: 01 November 2001
...Richard Wattenbarger Theodor W. Adorno's 1924 and 1964 articles on Richard Strauss offer, in the words of Leon Botstein, "challenging and perceptive indictments" of the composer. The influence of these essays on musicological Strauss reception is, to be sure, difficult to gauge. Nevertheless...
Journal Articles
19th-Century Music. 2020; 433194–208 doi: https://doi.org/10.1525/ncm.2020.43.3.194
Published: 01 March 2020
... threats of erasure by coopting and manipulating the offstage world as represented by the orchestra. The Seguidilla seduction scene in George Bizet's Carmen and the “Dance of the Seven Veils” in Richard Strauss's Salome raise the question of how subjectivity and material presence, especially of the femme...
Journal Articles
19th-Century Music. 2012; 362122–135 doi: https://doi.org/10.1525/ncm.2012.36.2.122
Published: 01 November 2012
... melodramatic mode as they are described in writing on theater, film, and the novel before turning to a close reading of Richard Strauss's Enoch Arden , op. 38, a melodrama for speaker and piano. I aim to show that not only the themes of Enoch Arden 's narrative but also the form of its narration, the...
Journal Articles
19th-Century Music. 2005; 283254–275 doi: https://doi.org/10.1525/ncm.2005.28.3.254
Published: 01 March 2005
...), a work whose subject matter perhaps inevitably prompts comparisons with Richard Strauss's Don Quixote. Whereas one can regard Strauss's work as an ironic critique of the metaphysical, Wagnerian world with which the composer had parted company during the completion of Guntram, Elgar's work reaffirms...
Journal Articles
19th-Century Music. 2015; 383193–218 doi: https://doi.org/10.1525/ncm.2015.38.3.193
Published: 01 March 2015
... : Joint Musicological Society of Australia/Interna- tional Conference on Music and Emotion (Perth, 2011) and the seventeenth Biennial Conference on Nineteenth- Century Music (Edinburgh, 2012), which elicited many helpful comments. My thanks are due to Richard Toop and Olivia Sham, who read complete drafts...
Journal Articles
19th-Century Music. 2019; 43117–37 doi: https://doi.org/10.1525/ncm.2019.43.1.17
Published: 01 July 2019
... leans, was written (uncredited) by three of Richard Mackenzie Bacon s four daughters. Mary Shelley also wrote at least three lengthy reviews/essays concerning singing, and Harriet Arbuthnot s and others journals pro- vide some insight into female views of vocalism in the United Kingdom. The record is...
Journal Articles
19th-Century Music. 2018; 42273–95 doi: https://doi.org/10.1525/ncm.2018.42.2.73
Published: 04 December 2018
... fears and desires of a society in the throes of modernization.14 The concept of folk culture, Kelley argues, is an example of what Lévi-Strauss termed brico- lage: A cutting, pasting, and incorporating of various cultural forms that in this case then become categorized in a racially or ethnically...
Journal Articles
19th-Century Music. 2018; 42153–70 doi: https://doi.org/10.1525/ncm.2018.42.1.53
Published: 01 July 2018
... Permissions web page, http://www.ucpress.edu/journals.php?p=reprints . 2018 musical aesthetics materialism philosophy of music Friedrich Nietzsche Richard Wagner 53 KATHERINE FRY Nietzsche s Early Writings 19th-Century Music, vol. 42, no. 1, pp. 53 70 ISSN: 0148-2076, electronic ISSN 1533-8606...
Journal Articles
19th-Century Music. 2017; 412151–179 doi: https://doi.org/10.1525/ncm.2017.41.2.151
Published: 01 November 2017
... reprinted in the program book to Ferruccio Busoni, Doktor Faust (Erato 3984-25501-2), 31. 11Ibid., 65. 12For more about Busoni s mystical ideals, consult Martina Weindel, Ferruccio Busonis Ästhetik in seinen Briefen und Schriften, ed. Richard Schaal (Wilhelmshaven: Heinrichsofen-Bücher, 1996); and Erinn...
Journal Articles
19th-Century Music. 2017; 403283–300 doi: https://doi.org/10.1525/ncm.2017.40.3.283
Published: 01 March 2017
... California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints . 2017 Richard Strauss Heinrich Heine orchestration Third Reich Romantic song 283 LAURA TUNBRIDGE Versioning Strauss 19th-Century Music, vol. 40, no. 3, pp. 283 300 ISSN: 0148-2076, electronic...
Journal Articles
19th-Century Music. 2017; 41148–74 doi: https://doi.org/10.1525/ncm.2017.41.1.48
Published: 01 July 2017
..., Lamoureux (PhD diss., Université Paris I-Sorbonne, 1976), vols. II and III. 13In a journal entry from 5 May 1907, Romain Rolland recounts that he and Colonne shared this opinion about Wagner s music. See Romain Rolland, Richard Strauss et Romain Rolland; correspondance; fragments de journal (Paris: Albin...
Journal Articles
19th-Century Music. 2017; 41131–47 doi: https://doi.org/10.1525/ncm.2017.41.1.31
Published: 01 July 2017
... after midnight. Modernism and modernisme were considered a crucial aspect of regeneration, and in musical circles there was more discussion of Claude Debussy and Richard Strauss and Strauss him- self performed some of his works during a con- cert tour of the Iberian Peninsula in 1908. In Catalonia and...
Journal Articles
19th-Century Music. 2017; 403185–188 doi: https://doi.org/10.1525/ncm.2017.40.3.185
Published: 01 March 2017
...- ticular emphasis on what they have to say about song as a genre. l amines questions of authorial multiplicity, tack- ling the often vexed question of the different identities projected by a song in piano and or- chestral versions. Taking Richard Strauss s 1906 Heine setting Frühlingsfeier as a point of...
Journal Articles
19th-Century Music. 2017; 403301–305 doi: https://doi.org/10.1525/ncm.2017.40.3.301
Published: 01 March 2017
...- though the notes are the same, Ives s word- setting produces markedly different emphases when the song is sung in German and in En- glish. The non-priority of one version over an- other that Laura Tunbridge finds in a setting of a Heine poem by Richard Strauss here becomes an internal versioning, as...
Journal Articles
19th-Century Music. 2017; 403307 doi: https://doi.org/10.1525/ncm.2017.40.3.307
Published: 01 March 2017
...: Debussy, Song, and the Art of (Dis)appearing 239 Kramer, Lawrence Afterword: Song as Subjectivity and Desire 301 Kramer, Lawrence Introduction: Battle Music, Ballads, and Their Afterlives 3 Leppert, Richard Civil War Imagery, Song, and Poetics: The Aesthetics of Sentiment, Grief, and Remembrance 20 Mahiet...
Journal Articles
19th-Century Music. 2016; 402159–181 doi: https://doi.org/10.1525/ncm.2016.40.2.159
Published: 01 November 2016
... Musical Monuments, this journal 26 (2002): 52 72, 53. As an aside, Dvor ák s tone poem preceded Richard Strauss s Ein Heldenleben in both date of composition and premiere. 4For an introduction to the various tropes of Eroica re- ception, see Scott Burnham, Beethoven Hero (Princeton: Princeton...